A Quote by Common

DJ Jazzy Jeff is the best DJ you can have at a party. Did you see his playlist? He has good taste. — © Common
DJ Jazzy Jeff is the best DJ you can have at a party. Did you see his playlist? He has good taste.
Traditionally, with a DJ set, you just go hear DJ that has a good reputation and let the DJ take you somewhere. It was up to the DJ what he wanted to play. Typically in dance music, people didn't know most of the songs a DJ played.
I DJ all the time, as much as I possibly can. I'll never stop. That's my security blanket, that's what I'm good at. I still consider myself a better DJ than a singer. I can DJ in my sleep.
DJ-ing itself is not just about playing songs. The art of DJ-ing is presenting new songs to the crowd that they haven't heard before and creating a party vibe that's different than just listening to anybody's playlist. It's the only way to truly be big and respected in your craft.
You can be a great DJ and still be not very good at DJ Hero. And vice-versa: You can have never spun in your life on real turntables and be fine on DJ Hero.
And we had a DJ - my childhood friend from Chicago came to be the DJ at our party out in LA. It was a party, rockin' and rolling, and it was dancing and fun. For me it was different; just to have family with us.
The DJ still has the relationship with the people, I believe. I don't know to call the DJ 'the ambassadors' or what, but we still are connecting the dots, getting the good stuff and passing it on to the people. DJs still have relevance, even with the technology that elevates the DJ beyond being a selector.
I DJ'd for years. I DJ'd in high school, and I think my parents thought it was a passing thing. And then when I was in my second year of college, I was like, 'Yeah, you guys don't need to send me money anymore. My DJ gigs are good enough. I'm selling music; I think I'm gonna have a record deal. I can pay my tuition.'
It's tough when you're an artist because you get to go around the world and make a lot of friends, but guess what? One day, all these people that you love are going to die, from DJ Mehdi to DJ Dusk to J Dilla to Austin Peralta to DJ Rashad.
My uncle, he's a big DJ out here in L.A. His name is DJ Tee; he's got a bar in Westchester.
I don't want to be classified as an old-skool DJ or new-skool DJ. I want to be classified as an all-skool DJ who plays it all. I also want to learn to DJ house music in my own fashion.
I think being a DJ is that thing of learning what makes a crowd move. As a DJ, you're constantly learning. It's like chess or something. After a couple of years, you think you're good, then you see a real DJ that's been doing it for 20 years and they just blow you away. I think that's one of the things I like about DJing: you can get better and better and better.
I actually really like DJ Assault - a Detroit a ghetto tech DJ, who's produced good music that's influenced me a bit.
When I started DJ'ing, it was no big thing. There was no money in DJ'ing, and you did it purely for the love of playing music.
I made my name and reputation DJing in hip-hop clubs in New York. 'Celebrity DJ' is a term that I hated. To me a celebrity DJ is someone that's on 'Big Brother' or in some kind of B-movie who gets a gig to DJ even though they're not talented enough to do it.
Technology makes good DJ's better, but also allows your average person to think they're a DJ, and unfortunately there's no checks and balances about people making it a career.
I was truly honored to work with legendary DJ and producer DJ Premier. I still can't believe I have a track with Premier; it really is one of the best songs I've written in a long time.
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