A Quote by Common

One thing I always loved about hip-hop music was the raw, boom-bap element - it felt powerful and manly. — © Common
One thing I always loved about hip-hop music was the raw, boom-bap element - it felt powerful and manly.
I wanted to do is kind of invoke that and then dive into that kind of repetition as a DJ thing because DJing you hear beats, like "boom, boom, boom, bap, bap." You know hip hop, house, techno. So how do you translate between those electronic motifs and the motifs of the landscape itself? That is what I wanted to go for.
This is the thing about hip-hop music and where people get it most misconstrued: It's all hip-hop. You can't say that just what I do is hip-hop, because hip-hop is all energies. James Brown can get on the track and mumble all day. But guess what? You felt his soul on those records.
It's hard to have a boom-bap hip hop record that goes No. 1 in the country.
My father was a musician, and I've always loved writing. I grew up in New York City during a time when hip hop music was surrounding you with the hip hop culture, and it felt natural. I was a really huge fan of the music.
I've always loved hip-hop, since I was a kid, that's the music that I loved. I think everyone of our generation kind of fantasized about hip-hop in some ways.
Hip-hop has a feeling element, it's not just about knowing music. It's not like classical music or jazz where you can go on raw energy.
The beautiful thing about hip-hop is it's like an audio collage. You can take any form of music and do it in a hip-hop way and it'll be a hip-hop song. That's the only music you can do that with.
First thing you have to understand is that freestyling is much different than making hip-hop music: there's another whole element to being a hip-hop MC.
I'm a fan of hip hop music, so I always used a hip hop element in my music anyway.
I'm one dude that writes his adlibs. I don't just go in there and say "Gimme a track." I say what I'ma say here [then] I put effects on my voice. Why not? I wrote it. Why not show the talent? Why be scared? That's why I hate certain fans who hate cause it's not like raw hip-hop, like boom bap.
I was a hip-hop head. When I really found my own lane in music, it was hip-hop. I wanted to make hip-hop music. And I did, I made a lot of hip-hop music.
When hip-hop was new and raw, it was all about being an MC. You wanted to be respected as a lyricist. But as the years passed and hip-hop became big business, hip-hop became like country, rock and pop. And so you now have people who write the songs for rappers.
There's constantly this melancholy about British hip-hop. People are always waiting for it to explode like American hip-hop, but it might just be that British hip-hop will always be as it is: an underground thing which will stay that way.
Hip is to know, it's a form of intelligence. To be hip is to be update and relevant. Hop is a form of movement, you can't just observe a hop, you gotta hop up and do it. Hip and hop is more than music Hip is the Knowledge, hop is the Movement. Hip and Hop is Intelligent movement
To me, that's the biggest problem with hip-hop today is the fact that everyone believes that all of hip-hop is rap music, and that, when you say "hip-hop," it's synonymous with rap. That when you say "hip-hop," you should be thinking about breakdancing, graffiti art, or MCing - which is the proper name for rap - DJing, beat-boxing, language, fashion, knowledge, trade. You should be thinking about a culture when you say, "hip-hop.".
I loved hip-hop. The first stuff I heard was Public Enemy, and I couldn't believe it. It was amazing, and I've always loved hip-hop.
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