A Quote by Compay Segundo
When you here a conjunto and you hear another conjunto, you think it's like a continuation of the first. It's all the same, same, same. There's no variety, just the same music.
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When you're listening to radio and hear the same 20 songs over and over and over, you want a break from it. Sometimes you don't want to hear something that sounds just like everything else on the radio. Eventually, if you hear the same sounds and the same musicians and the same mixes and all of that, it will start to sound like elevator music.
The videos are sometimes the only way for people across the country and different places to see and hear the music. They may not get the same radio stations or they don't get the same TV channels, they don't have the same MTV that plays the same music. People will use to the Internet and that's why YouTube and stuff like that is so important.
Stores are the same everywhere; small downtowns are done. Not just in America, but globally. You hear the same music on every station, all our building materials look the same, and all our clothes look the same. But I thought that it couldn't be that simple, because Arizona is not Minnesota. There is this other reality, which is a reality of landscape.
Every sinner must be quickened by the same life, made obedient to the same gospel, washed in the same blood, clothed in the same righteousness, filled with the same divine energy, and eventually taken up to the same heaven, and yet in the conversion of no two sinners will you find matters precisely the same.
New York has a thousand universes in it that don't always connect but we do all walk the same streets, hear the same sirens, ride the same subways, see the same headlines in the Post, read the same writings on the walls. That shared landscape gets inside of all of us and, in some small way, unites us, makes us think we know each other even when we don't.
All music industry places are the same, really. They have the same dynamics and the same concerns and the same needs.
We all know that men in moderate circumstances can have just as comfortable houses as the richest, just as comfortable clothing, just as good food. They can see just as fine paintings, just as marvelous statues, and they can hear just as good music. They can attend the same theaters and the same operas. They can enjoy the same sunshine, and above all, can love and be loved just as well as kings and millionaires.
In my early writing, all of my characters were exactly the same person. They all spoke the same, made the same types of jokes, reacted the same, etc. I think they were all just me in disguise.
My culture comes from everywhere. I'm sick of this notion of nationality, that if you're brought up in the same city or same country you're the same. Even three kids brought up in the same family with the same genes, they are not the same. Just consider a human a human.
Hassan and I fed from the same breasts. We took our first steps on the same lawn in the same yard. And, under the same roof, we spoke our first words. Mine was Baba. His was Amir. My name. Looking back on it now, I think the foundation for what happened in the winter of 1975 —and all that followed— was already laid in those first words.
A lot of artists go in the studio and say, 'OK, whaddaya want me to do? Is it gonna be a hit? I'll do it. Is it gonna get played on the radio? I'll do it.' So they start makin' these songs, and they fall in the same tempo, same category, same this, same that, and it'll just all sound the same.
I like finding that common point between another song and my music. It's like between people; you can be of religion or another, from this country or from another country, but we're all basically the same. It's just the same with songs.
I'm not the same as other people. I don't think the same. I don't do the same things. I just feel out of this world sometimes.
I think that's one thing that hinders hip-hop and I think when everybody tries to be the same... That's why people look at the 1990s almost like it was a golden era in hip-hop 'cause it was so much diversity in the music and in the artists. It wasn't everybody just trying to paint the same picture and say it with the same flow.
Maybe when the President tells you that you should be afraid of Mexicans or Muslims or Jews or black people or gay people or trans people, you'll realize that those are just labels, that underneath it all we're all the same people, we all have the same aspirations, the same hopes, the same desires, that we all share the same values.
I think for me, wearing the helmet and being part of the Stormtroopers felt so strange. Like, so this is what it feels like to just be one of the many. And to look the same, and to have to do the same thing. To be under the same orders. This is what it feels like.
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