A Quote by Compay Segundo
When it comes to musicians, I'm like the daddy of musicians here in Cuba.
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Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
Musicians are affected by the audience just as much as audiences are affected by the musicians. The only problem is that often times musicians won't allow themselves to admit to that fact.
I don't get so much inspiration from other musicians. Especially alive musicians. Late musicians are good - Bach, Beethoven - yes, good.
Musicians don't respect a lot of the stuff that is on TRL and a lot of musicians think that stuff on the radio is not good musically so when musicians say that they like us it obviously feels good.
I went to Havana, and I was like, "Wow, there's culture everywhere!" That was one thing that I did notice when I went to Cuba was that artists are paid to be artists, and poets are paid to be poets, and musicians are paid to be musicians by the government. The government - and I'm not saying that the Cuban government's perfect - but the government does place a value on culture.
I was afraid the other musicians might want to present themselves too much, though I see in the coverage I've received of the album that the musicians got wonderful reviews for their contributions and abilities. I think the four musicians played freely within my limits.
I think Baltimore is a wonderful artistic community with a lot of great musicians. It's kind of like a little secret for musicians.
I just felt like women love musicians, so I thought that we should become musicians. It'll help my dating life.
I feel like musicians have such a precarious place in the political discourse, because musicians are, sort of just by nature, people-pleasers.
It was about finding creative, original musicians. Musicians who are strong composers. Flexible, empathetic musicians, who are great individually but who also have a great sense for cooperation and collaboration, great listeners as well as great players.
You always feel like rock critics are frustrated musicians. I envy musicians their ability to live their art and share it with an audience, in the moment.
The availability of downloads is fantastic, but you don't know which musicians are playing on the songs anymore. It's kind of making musicians faceless, you don't get musical solos on records anymore. You know who the singer is but it's the poor old musicians who suffer.
A lot of musicians talk about how they were into music from the start; they always wanted to be musicians. It wasn't like that for me. I didn't think of it as a job or a career - it was just something that was constant.
I don't like that, because there are a lot of people whose works I admire as actors or actresses, or musicians. And you know, I've been a big fan of different musicians or actors.
I think some of the musicians are more like punk rock musicians. It's like an art as opposed to being a musician. It's definitely more radical psychedelic bands, more than anything.
It just seems like musicians want to sell a few records and put out a perfume line, and I think it's so sad that there are so many musicians who don't want to change the world.
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