A Quote by Concha Buika
I am the consequence of a particular type of demographic movement, one that has always involved paying a high price. But I don't know much about styles or genres. I only know notes and chords.
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We can think about how we reduce the pain in paying. So, for example, credit cards are wonderful mechanisms to reduce the pain of paying. If you go to a restaurant and you are paying cash, you would feel much worse than if you were paying with credit card. Why? You know the price, there's no surprise, but if you're paying cash, you feel a bit more guilt.
Offensive linemen don't get looked at. Nobody is paying attention to the offensive line. But me? I'm getting watched for everything. I know what type of player I am. Everybody else that I know knows what type of player I am.
If you write what you know about, you will always be on safe ground. I am very edgy and nervous about going into territories I know nothing about. That's why you don't find much high finance, group sex, or yachting parties in my stories.
We know the power of the U.S.. We do not fool ourselves about this power. We say that the U.S. government wants us to pay a very high price for this unstable peace we enjoy today. And the price we are in a position to pay is only - comes only to the frontiers of dignity, not beyond.
I was involved with MySpace and Facebook and everything at a very young age because it's so casual now, and I'm into texting, obviously. But I've never been involved in any type of chat room. My parents are pretty cautious about it and know all my passwords and know who my friends are and who I'm talking to.
Like a Star' has a very simple melody, and when you play it, it's only about three notes for ages, and it's quite boring. But when you hear the chords, the chords are sort of different than the melody, and it's pulling it around and making it mean something else.
I got so much love for classical music and I hear so much incredible music.You should know a bunch of music and have respect for all sorts of genres and styles of music.
A system in which legal police shootings of unarmed civilians are a common occurrence is a system that has some serious flaws. In this case, the drawback is a straightforward consequence of America's approach to firearms. A well-armed citizenry required an even-better-armed constabulary. Widespread gun ownership creates a systematic climate of fear on the part of the police. The result is a quantity of police shootings that, regardless of the facts of any particular case, is just staggeringly high. Young black men, in particular, are paying the price for America's gun culture.
If you're sitting there going, 'Well, these particular genres are the only genres I like,' that's like saying, 'I only like books with this particular kind of cover.' Because that's all genre is. It's a discussion of texture.
Politics is a matter of choices, and a man doesn't set up the choices himself. And there is always a price to make a choice. You know that. You've made a choice, and you know how much it cost you. There is always a price.
It's easy to talk about our system not functioning. It's actually functioning exactly the way we've designed it to function by giving so much power to the political parties, which all of our, you know, leading founders - Washington, Adams, Jefferson, Madison - all said don't create political parties like the ones we have now. We did it, and we're paying a very high price for it.
I played violin from when I was about eight to thirteen, so I could read a little bit, but if you put a piece of music in front of me now, I would probably know the notes, but not the timing, how they're supposed to be played, and I just don't know how to read chords. If I'd stuck with it, I'd probably have more jobs.
Downtown New York, I'm within certain styles of music and I'm also within certain cultural, you know, and literary context. So DJ Spooky was meant to be a kind of ironic take on that. It was always meant to be kind of a criticism and critique of how downtown culture would separate genres and styles because it was ambiguous. You couldn't fit it into anything and that was the point.
I think that happens for a lot of people, they have this idea that there's only one type of way to write poetry and that you have to have this information. You have to know about meter, you have to know about form, you have to know about iambic pentameter, and all of that.
I actually prefer it if I don't know what I'm supposed to do. If you've got an equal temperament piano keyboard, then you know what you're going to get if you play certain chords. But I actually like it if you don't know where the notes are, because then you do it intuitively. You're working out a new language, basically. New rules.
I'm now much more excited about genre distinctions. What I still see breaking down are more the hierarchical arrangements of genres. That is, "There is literary fiction, and then there are lesser genres." I'm much more clear on the idea that literary fiction is itself a genre. It is not above other genres. It is down there in the muck with all the other genres, and it's doing the wonderful things that it does, but to give it a Y-axis, to make it high and low, just seems absurd. I stand by that.
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