A Quote by Conchata Ferrell

I was with Lanford Wilson in Philadelphia watching a play of his when the call came from Hollywood. 'Norman Lear wants to do 'Baltimore' on television,' Lanford said. 'What do you think?'
After we did [All In The Family], that ended up being a real love fest all around. Me and Norman, Norman [Lear] and me, Rob Reiner, everybody liked everybody. So about six or seven months later I moved out to L.A. and I got a call that Norman wanted to see me. I came in and he said "ABC has given me a property that they just optioned to make into a TV series. It's from a play called Hot L Baltimore, and I want you to be in it."
The most challenging work and the best work I've ever done was in a thing I did for PBS called 'Lemon Sky', a play by Lanford Wilson. I think it's the rawest, most complex work that I've had to do, and the thing I'm most proud of.
I'm formally trained, I don't know what classically trained really means. I've worked with Sanford Meisner. And I've worked at Circle Rep with Marshall W. Mason and Lanford Wilson and some really good people. I was lucky. I had a lot of really good influences.
'Hollywood maids' are so idiotic. They grin at everything. I told Norman Lear I didn't want to play a maid because of that 'hee-hee/grin-grin' attitude, and he said, 'Who said I wanted that?' He told me he wanted two strong women that are the black and white of the same coin. I said, 'Oh, well - in that case, I'll be right there!'
I am what I am as a writer because of Norman Lear and Spike Lee. Norman Lear in particular.
Housing in New York seemed to fit Norman Lear. In addition, his shows confronted all kinds of social issues - racial separation and prejudice being foremost among them. The Evans of Good Times were the first black family to be the focus of a primetime American TV show. A lot of the people we came across in filming were familiar with the role Norman played in catalyzing important national conversations about race. They seemed grateful to him for trying to move the needle.
The actor is too prone to exaggerate his powers; he wants to play Hamlet when his appearance is more suitable to King Lear.
Norman Lear considers almost any Christian who speaks up for and acts on his or her faith to be 'dangerous.'
Once during a taping there was an actor who kept blowing his lines. It happened again and again. Finally Norman Fell came out-he wasn't even in that scene. But Norman came out and you know what he did? He killed the guy with a hammer.
There is a difference. You watch television, you don't witness it. But, while watching television, if you start witnessing yourself watching television, then there are two processes going on: you are watching television, and something within you is witnessing the process of watching television. Witnessing is deeper, far deeper. It is not equivalent to watching. Watching is superficial. So remember that meditation is witnessing.
I used to think 'King Lear' was an analysis of insanity, but I don't really think it is. When Lear is supposed to be at his most insane, he is actually understanding the world for the first time.
King Lear by William Shakespeare frightens me. I've never done King Lear, I guess partially because my father dwindled into dementia in his last years and King Lear is such an accurate portrayal of a father figure suffering from dementia - the play was almost intolerable for me.
What is your name?" asked Lear. Caius," said Kent. And whence do you hail?" From Bonking, sire." Well, yes, lad, as do we all," said Lear, "but from what town?
It used to be said that, socially speaking, Philadelphia asked who a person is, New York how much is he worth, and Boston what does he know. Nationally it has now become generally recognized that Boston Society has long cared even more than Philadelphia about the first point and has refined the asking of who a person is to the point of demanding to know who he was. Philadelphia asks about a man's parents; Boston wants to know about his grandparents.
Any older actor knows the last great mountain to climb is to play King Lear and now, if I ever play Lear, I will have done the pre-preparation because I had to go into the play and read it over and over again.
I think Peter Norman recuperated in the sense that people who knew who Peter Norman was, he built his character around the legacy of his family, in terms of what they taught him about equality and justice for all.
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