A Quote by Conchata Ferrell

No actor is worth $3 million, not even Marlon. It puts too many other actors out of work. — © Conchata Ferrell
No actor is worth $3 million, not even Marlon. It puts too many other actors out of work.
I don't think anyone's worth $100 million if Michael Jordan wasn't, but hey, that's what Abe Pollin thought I was worth, and if someone puts $100 million in front of you, you're gonna take it, too.
I remember when I worked with Fassbinder in Germany, actors wrote letters to him. But you see, a director wants to discover you himself. He doesn't want the actor to say, 'oh, I'd love to work with you' - the actor says that to other people, too.
Nobody wants to hear an actor complain about too much work - especially other actors.
Actors should be writers. While a writer puts the story on paper, an actor puts it on screen.
Amitabh Bachchan and SRK are great actors, but I like the way Suniel Shetty has handled his work. He's doing so many things at one time. He's a sincere actor, he has his own production company, other businesses and he's even the brand ambassador for hockey.
Now, Marlon and I - for some reason, even today - even today, we can't say two words to each other. We really can't talk to each other. You know, I say to him - Marlon can't talk. I mean, he'd talk to you. But he can't talk.
I'm not one of these million-dollar actors. I have always been just a working actor. I probably work more than I would like to.
Marlon Brando changed everything for actors. After him, everyone wanted to be Marlon. No one wanted to be a type: they all wanted to display versatility in every role.
The most important definition of an actor, the job of the actor, is to serve the writer, not yourself. Way too many actors serve themselves.
For me, you have to do as much work as you can beforehand and, once you get on stage or set, throw it out the window because you need to be collaborative. You shouldn't have too many ideas about where it goes before you get into the room with the director and other actors.
I don't want to be like the actor who rehearses everything in the bathroom, then comes to the set and carries on completely uninterrupted while the other actors tiptoe away. I'm so dependent on reacting to the other actors on the set, and to the director. I'm very responsive. I react. And I treasure the energy that reaction gives. I feed off that and work off that. I don't like to be too prepared, no. However we define too prepared, if I feel it's getting that way, then I'll back off. My line-learning is very special. I like to learn the dialogue of the whole film before I arrive.
You work with every actor differently. It's like if you're a mother, if you have children, some children need more discipline. Other children you back off of a little bit and let them be. It's the same way with actors. Some actors need a lot of hand holding. Other actors like to be let be and you let them go. Some actors like to be nudged just a little bit. Some actors don't mind line readings.
As actors, we have the opportunity to work with many directors. Directors only work with themselves and other actors. They never know what it is like to work with another director. So that relationship that one has with a director is entirely always the king.
I always set out to just work, as an actor, and try to do as many different things as I possibly could, and not be too selective or too careful. I think just working is fun.
You work with every actor differently. It's like if you're a mother, if you have children, some children need more discipline. Other children, you back off of a little bit and let them be. It's the same way with actors. Some actors need a lot of hand holding. Other actors like to be let be, and you let them go.
An actor is supposed to emulate life. Instead, alas, many are imitating other actors. You don't fashion your knowledge of theatre or your approach to a role on the basis of what other actors have done. This kind of thinking is a great danger, especially in dealing with TV producers who frequently say things like, 'This is a Sean Connery type.'
This site uses cookies to ensure you get the best experience. More info...
Got it!