A Quote by Conchita Wurst

Participating in Eurovision felt like coming home — © Conchita Wurst
Participating in Eurovision felt like coming home
I watched 'Eurovision.' And I actually like the show. I like wind machines. I like the whole glimmer-glamour thing. That's 'Eurovision.' We love to hate it.
I felt like I had hit a ceiling in the UK. I wasn't having many opportunities to audition back home and I felt like my career was coming to a halt. So I came to the US to be a fresh face and start over.
Coming back, Utah just felt like home.
I did Eurovision a few weeks back and to be fair, you can't get a gayer show than Eurovision.
Participation is bliss because the whole universe is celebrating. Every moment it is celebrating. It is a great celebration, a constant celebration. Only we are not part of it. We have detached ourselves and are in misery. Man is in misery because of the mind. The flowers are participating in the celebration, the moon is participating, the stars are participating, the earth is participating, the oceans are participating, the air and the clouds - everything is participating in that continuous, eternal celebration.
When the BBC approached me, it just felt right for me to be a part of an institution like Eurovision.
Come here. I need to hold on to you." She felt the same way. And when there was no distance between them, it was like coming home.
'A Head Full of Ghosts' was my first full horror novel, and that felt like coming home as a writer.
I've been coming to America since 1970, and it's like my second home, but I've never felt such a divided country, ever. I didn't think it would get to this point, and it breaks my heart.
I felt so contained at home. I always really felt like I couldn't be myself at home, so I was always quiet. I remember I used to sit in my room and listen to Bone Thugs and close the door.
To get a big company moving fast, especially on a many-headed opportunity like the Internet, you have to have hundreds of people participating and coming up with ideas.
I had been doing theater since I was a kid, so the stage really felt like home to me. It felt like the place where I trust myself the most in the world and felt the most confident.
Home' was a special album for very specific reasons. It is an homage to my father. And it is the first classical album I've released in over a decade. So it really felt like a kind-of coming back to my roots.
The thing about coming back to the Bay Area, it's like coming home for me.
For me, coming to the national team is like coming home.
In '68 I was 13 years old, so I was a child, but I felt a lot of excitement in listening to things, looking at the pop art coming over from America. My father was an art collector, and he was coming home with these strange pieces of art that weren't exposed in museums. At the time, it was quite revolutionary, very adventurous.
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