A Quote by Conchita Wurst
I am happy being a man in a dress. Some people get confused and think I'm a trans woman, but I'm strict about the difference. What I do is performance, it's staged, it's glamour - it's not real life. But for trans people, being born in the wrong body - there's nothing glamorous or easy about that.
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I am transgender, so 'he' is not appropriate and 'she' is problematic. I haven't been one to wage war with society to force people to address me a certain way. I let people make that decision for themselves. I don't identify as a man, so 'he' is silly in a way. Being called 'she' as a trans person, trans in the sense that I'm trans, is to be honoured in an aspect of yourself.
When we have a trans woman playing a trans woman, then you see, 'Oh wait, this is what trans really is. This is what it looks like: a person.' That sends a message to trans kids that they are valid in their identities that they are allowed to exist.
Historically, we have seen cis men play trans women and vice versa. That casting breaks through the fourth wall, and it gives people the message that trans people are being played by cis men in real life, which is where we get this idea of men in dresses.
People assume that trans people will only be accepted as trans characters, or that there aren't enough trans writers, or that there aren't any trans producers or directors, there's that attitude.
When we get to a point when trans folks are included in the creative process, the narrative will be much more authentic. Trans actors playing trans roles is a key part of that. But some of the trans talent is not even making it into the audition room, let's be honest.
Glamour, that trans-human aura or power to attract imitation, is a kind of vessel into which dreams are poured, and some vessels are simply worthier than others... A beautiful woman can turn heads but real glamour has a deeper pull... Glamour is the power to rearrange people's emotions, which, in effect, is the power to control one's environment.
If you are a LGBTQ person, if you're going to travel somewhere, you do need to be mindful of where you're going, particularly depending on the country. That's just something unfortunately you need to think about. It's something you need to think about if you're a woman, it's something to think about particularly if you're a trans woman, and the problems a lot of trans people face when they're travelling.
I have always been aware that I can never represent all trans people. No one or two or three trans people can. This is why we need diverse media representations of trans folks to multiply trans narratives in the media and depict our beautiful diversities.
Instead of focusing on what the law says about trans people, which is really what the law is saying about itself as a protector of trans people, we should be focused on what systems of law and administration do to trans people and our interventions should aim to dismantle harmful, violent systems such as criminal punishment and immigration enforcement.
We live in a trans period. Contemporary issues of sexuality, for example - the exciting aspects of them - have to do with transgenderedness. And there's trans-nationality. There are people like me, for example. I mean, what am I? Am I Indian? Am I American? And I'm not alone in being between things.
When it comes to trans people, we have to acknowledge their humanity and their dignity and listen to their voices and celebrate their courage. So much of the legislation that's happening across the world right now is not about bathrooms. It's about whether or not trans people have the right to exist in public and that's horrible. So many of our leaders are making an effort to erase trans people from our society and that angers me so much. I want to do everything in my power to stop that.
A lot of people think that I am trans but I'm not trans. I am a gay male with hair and nails. So if you say 'he' or 'she' it doesn't matter. I know who I am.
Trans voices are really underrepresented, and trans stories are really underrepresented, and when they are presented, they're often reductive. I was interested in putting a trans person and a trans narrative on stage that didn't fall into cliché, that thought a bit more deeply about the experience of being trans, and how those issues tie into things that we all experience. How we tell the story of our lives, versus what might have actually happened, and how we communicate to our former selves. All of those questions were really interesting to me.
To see a trans body in this ideal space - on a cover, in an ad - these are spaces that have immense cultural power to dictate what is beautiful, what is glamorous, what is aspirational, what is sexy, what is clean. That can be very powerful and helpful in the de-stigmatization of trans bodies.
When we have trans actors play trans characters, people can look onscreen and say, 'OK, this is what trans is.'
So often, trans roles don't even go to trans actors. Most of the fabulous trans roles that have won people Oscars, we didn't get to play. A lot of folks have said we're not trained enough and that we're not prepared to do whatever.
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