A Quote by Condola Rashad

Orlando is such a kind person. He's so generous and one of us, 'us' meaning a theater person. What a lot of people don't know about him is that, before 'Lord of the Rings,' he went to theater school like a lot of us. He is just really sweet and hard working.
Whether the theater is 1,000 seats or 500 seats or 200 seats, you have to make sure the person in the back of the theater can hear you and understand you. So there's a lot of articulation and a lot of voice in theater that really just isn't necessary when it comes to dealing with the camera.
I don't have much to compare it to because I really didn't know much about theater. After I signed on, I started reading a lot of Sam Shepard plays just to brush up on my history and do some research. What's great is that Sam's been here and he's been in rehearsals with us. Sometimes you don't even notice him come in; he's just sitting there in the theater seats watching you.
I think that there's room to grow, as far as being a person of color in film. I went to the theater the other day, and there's a whole bunch of Valentine's Day movies coming out. And the only ones that you see a lot of us in are us goofing off and clowning around; it's this kind of pseudo-romantic comedy kind of thing.
When you go watch "The Lord Of The Rings," you don't just buy a bag of popcorn, and go sit in the movie theater to watch where covetous people in our hearts deceive us, and then walk out the theater. That's the message that may be in that movie.
President Obama really just let all of us genuinely be who we were and didn't expect — I'm goofy. And so for him, he just never expected us to be any different than who we were and he wanted us to always give our opinions. He is not the kind of person who wanted to sit around and be told he was right all the time. Especially if he wasn't. And I think that seeing that in him made us all take that away with us.
I was about 14 when I started with a theater group; it was like a stage group on the weekends alongside school. And it was run by a group of guys who'd been to drama school themselves in London. So they introduced us to techniques that they'd learn about, and they kind of informed us about improvisation and screenwriting and all of that stuff.
I went through a really good-looking phase from birth to 9. And then things went crazy. I don't know what happened, but between 9 and 14 it was really, really rough. I didn't have a lot of friends. The only ones who were nice to me were the theater kids. And they were like, 'You can come and join us. No one likes us.'
I went through a really good-looking phase from birth to 9. And then things went crazy. I don't know what happened, but between 9 and 14 it was really, really rough. I didn't have a lot of friends. The only ones who were nice to me were the theater kids. And they were like, 'You can come and join us. No one likes us.
When I put something into motion, the creativity starts to make other people want to jump in, and then a lot of people get employed. I'm just like a shark, in that way. If I stop swimming, I'll die. But, it really is about that shared experience with people. I'm from theater, and that's really what theater feels like.
I think I can speak for a lot of people in that they would be pretty nervous about meeting Harrison Ford, and I was definitely one of those people. For me, and I think for all of us, once you get to know him, you do get on very well. He's such an amazing person and an amazing actor. There were so many young people on the set and he really pulled the best out of us.
I think I probably got a lot of my father's natural security or ego or whatever. I can be my own person and not have to live under his shadow. I definitely look up to him in many ways - I'd like to be more like him when it comes to business - but I think I'm such a different person, it's hard to even compare us.
Orlando's a really cool guy. They hired him for 'Lord of the Rings' out of drama school. He's very new at this still and doesn't have a lot of experience. So we were in this together and we've tried to help each other out. We felt very equal which was good.
People call me a theater actor, but I'm just an actor. But I tell my friends all the time - especially a lot that do theater and haven't done a lot of TV/film - that you have so much more control over your work onstage. When you go onstage, you can really see the difference between people who can really do it, and people who are just kind of pretending to do it. There is no editor, there's nothing that's going to stop the actor from showing what they can do unless it's not a well-written role.
As a listener, we're looking for that person who kind of excites the molecules within us - who knows how to tell the story that resonates deeply to our core and almost prompts us into action. Fats Waller has been that person for decades. When people need a lift, sometimes they go to him. I know I do.
Francis Coppola was very generous. We got paid a lot of money and he saw us every day, took us out every night. It was just a lot. Richard Gere was an absolute gentleman. Gregory Hines. You know, I worked with some giants and they were just so smooth. And it was the '80s. That's when people had a lot of money and it was okay to to hang out and be crazy.
A great many of the epic fantasies, from The Lord of the Rings onward, are about war, but to my mind, a lot of it doesn't really deal honestly with the consequences of war, what war does to us, as a society, what war does to us, as individuals, and the struggle for power, in the same way, and what we're fighting for.
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