A Quote by Condoleezza Rice
Multilateral diplomacy is hard. It's slower, it's tougher, it's a bigger slog. I've learned that sometimes the things you'd most like to do something about, you really have difficulty unless the international community really mobilizes.
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What I really learned from Tim Burton is that it's important to have your own person in a role because you can't play a character unless there are elements of human behaviour that you yourself understand. I was really struck by how Tim Burton would like to sit and chat about you... or question things which then you had never thought about. It is a good thing to always step back a bit with things like that. But I try my damned hardest to learn something from everything I do.
I learned Hollywood is a small community, and you really have to be a part of the community to get anything done. Unlike traditional industries, where you can do things from afar with phone calls and e-mail, this town is really about being social. Because that's how trust gets built.
We need to really use the full force of diplomacy. And we need to be seen and understood to be on the side of diplomacy and international law.
With female-oriented movies, unless it's something like 'Bridesmaids' or a romantic comedy, you've got to really worry about your opening weekend. And I'm always telling stories about women, not younger women, and it's just a much tougher audience to get to the movie theater.
I'm not really scared of a lot of things. I'm scared of possums. And I'm scared of raccoons sometimes, it depends on how big it is - I'm scared of the smaller raccoons because the bigger ones are slower.
Mentorship is really important. I really like to talk to people who have been in the music industry much longer than me about artists' block, things I'm struggling with, or the music business. It's really important for artists to have a community. Sometimes you can feel quite isolated.
I’ve learned that a storm isn’t always just bad weather, and a fire can be the start of something. I’ve found out that there are a lot more shades of gray in this world than I ever knew about. I’ve learned that sometimes, when you´re afraid but you keep on moving forward, that’s the biggest kind of courage there is. And finally, I’ve learned that life isn’t really about failure and success. It’s about being present, in the moment when big things happen, when everything changes, including myself.
Migration is an opportunity, not a problem. And in the sense that it is an opportunity, it goes on to a bilateral agreement, between Mexico and the US, the US and the Dominican Republic, whatever you wish, and it has to be a multilateral, international event. I am in favor of an international union of migrant workers that really takes on the problems that affect Europe, with the migrants coming from Africa, and the US with the migrants coming from Latin America. It has to be considered an international question, with international solutions, and with no problems national or international.
It's really hard to teach me anything. I can't read music. I never learned how to read music. I read books about things and try to learn - I don't like to learn from anybody. Later on I would, once I'd get the hang of things. Like I ride horses, I'm good at that, Western riding. I learned all about it reading and studying. I'm always learning about horses, I like that.
What's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive. It's really hard to do a literary reproduction of what makes you happy. That's what I try to do. If nothing else, it seems like there's enough people out there telling the world what isn't cool, or what's terrible, or what's depressing. I think there's an element of cynicism in my writing, but I'm an optimistic cynic.
Very few things which are really worth achieving come easily. Sometimes they do, but most of the time you really have to work hard and cleverly.
We like to think of industrialization as being despicable. I don't really know what to make of it. There’s something terribly brittle about it. I suppose I would still prefer to sit under a tree with a picnic basket rather than under a gas pump, but signs and comic strips are interesting as subject matter. There are certain things that are usable, forceful, and vital about commercial art. We're using those things – but we're not really advocating stupidity, international teenagerism, and terrorism.
It's when people come at you on Twitter and say really crazy things. That's the kind of stuff that I insulate myself from. All of that is not very interesting or helpful, but we have critics who sometimes really love us or sometimes don't, and it's really interesting for me to see what they don't like about it.
I'm not practising, I don't go to church, but what I got from it was a sense of belonging to something bigger. What I really miss is being forced to be in a community with people that aren't the same as you. Then, you really have to work through the ways that you're different.
I didn't really know anything about Romany culture going into this [Glue series]. The one thing that I liked the most about it is that it's so family based. They don't have mothers and fathers in the same way we do. They're really in a community, so parenting is shared between the community.
When you live in America, it's kind of insular - the news coverage that you get - unless you're really smart about it and find more international news coverage. I've learned that from my husband. In the French culture, they talk politics.
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