A Quote by Condoleezza Rice

I was very proud and grateful to be the first African-American woman in the position. I thought it said a lot about our country that we had back-to-back African-American Secretaries of State, Colin Powell and then me. I also thought it said a lot about President Bush that he didn't see limits on the highest ranking diplomat in terms of color. It's a hard job, but really the best one in government.
What I would note, though, and one of the things I really admire about the vice president: She is the first African American woman, woman of color, Indian American woman to serve in this job. Woman. I mean, so many firsts, right? It's a lot to have on your shoulders.
And you know, we have an African-American president, and you would have thought that he would have done a much better job for African-American citizens of this country. And he hasn't. And I will because I'm going to bring back jobs from China. I'm going to bring back jobs from Mexico and so many other places that are just ripping this country apart.
I use African-American, because I teach African Studies as well as African-American Studies, so it's easy, neat and convenient. But sometimes, when you're in a barber shop, somebody'll say, "Did you see what that Negro did?" A lot of people slip in and out of different terms effortlessly, and I don't think the thought police should be on patrol.
I find that people today tend to use them interchangeably. I use African-American, because I teach African Studies as well as African-American Studies, so it's easy, neat and convenient. But sometimes, when you're in a barber shop, somebody'll say, "Did you see what that Negro did?" A lot of people slip in and out of different terms effortlessly, and I don't think the thought police should be on patrol.
Michael Jackson fundamentally altered the terms of the debate about African American music. Remember, he was a chocolate, cherubic-faced genius with an African American halo. He had an Afro halo. He was a kid who was capable of embodying all of the high possibilities and the deep griefs that besieged the African American psyche.
The potential significance of Black feminist thought goes far beyond demonstrating that African-American women can be theorists. Like Black feminist practice, which it reflects and which it seeks to foster, Black feminist thought can create a collective identity among African-American women about the dimensions of a Black women's standpoint. Through the process of rearticulating, Black feminist thought can offer African-American women a different view of ourselves and our worlds
It's odd to say we had our first African American president before our first African-American-owned movie studio, but we're making progress.
If a CEO takes an interest in you and he happens to be an Asian man, then that's great, but as an African-American woman, you want to make sure that if the executive vice-president of the company is an African-American woman that you get to know her.
'The Cosby Show' - no one thought there's doctors and lawyers who are married and live in brownstones! Back then no one would have thought we would have an African-American president. They would have laughed in your face.
When I was a kid, I'd go to the African-American section in the bookstore, and I'd try and find African-American people I hadn't read before. So in that sense the category was useful to me. But it's not useful to me as I write. I don't sit down to write an African-American zombie story or an African-American story about elevators. I'm writing a story about elevators which happens to talk about race in different ways. Or I'm writing a zombie novel which doesn't have that much to do with being black in America. That novel is really about survival.
When I went back home, I was constantly being reminded, I'm an African woman, and so there are certain things I shouldn't do, certain ambitions that I should not entertain. That was a problem for me because I had never thought of myself as an African woman, never thought of myself as a woman to begin with. For me the limit was my capacity, my capability.
You know, when Trayvon Martin was first shot I said that this could have been my son. Another way of saying that is Trayvon Martin could have been me 35 years ago. And when you think about why, in the African American community at least, there's a lot of pain around what happened here, I think it's important to recognize that the African American community is looking at this issue through a set of experiences and a history that doesn't go away.
For me it's hard, especially being a young African-American woman. My dad doesn't look like what you might call the 'safe' African-American male that America would accept, if you know what I mean.
I sit here as the first African-American attorney general, serving the first African-American President of the United States. And that has to show that we have made a great deal of progress. But there's still more we have to travel along this road so we get to the place that is consistent with our founding ideals.
The ability to be the first African-American painter to paint the first African-American president of the United States is absolutely overwhelming. It doesn't get any better than that.
I am African-American, and I am a proud African-American. I just don't like to put myself in a box and say, 'I'm an African-American actress.' I am an American actress, and I can do any kind of role.
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