A Quote by Condoleezza Rice
When I talk to students - and I still think of myself more than anything as a kind of professor on leave - they say, 'Well, how do I get to do what you do?'... And I say, 'Well, you have to start out by being a failed piano major.' And my point to them is don't try to have a 10-year plan. Find the next thing that interests you and follow that.
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When we go out to the university, the professors always say, 'Tell these students about your five-year plan and your 10-year plan,' and I say, 'Gee, we're lucky if we have a year plan.'
I was terrible student. I was capable, but I never like being told what to do, so I was always in the bottom class at school. In Australia, a lot of students study to the end of year 10, but don't go on to the final year, and I was asked to leave the school because they just thought I wasn't performing well enough. I used to sneak off to play piano, and defy the rules of the school.
And also...well...i told them I want to get an apartment with him next year rather than live in the dorms." What'd they say?" Over their dead bodies." What did you say?" I asked whether they wanted to be burie or cremated.
I'm friends with a lot of writers and so many of them say how much they hate signings and how they leave after a certain period of time. But what is so hard about sitting there while people tell you how much they love you? And if you don't like it, well, learn to like it. I try to take one person at a time. I never look down the line to see how many more people are left. And I always try to make people talk about something besides whatever they planned to say.
I remember getting advice like, "Oh, do what interests you. Don't worry about tomorrow, live for today," kind of thing. And to a degree, you've got to do that, you've got to follow your passions. You've got to follow your dreams, but you also have to have a plan. You can't just say I'm going to do what interests me today and I'm not going to worry about tomorrow, that doesn't work. And anyone who's tried that I think quickly finds that out. Think about what turns you on, what do you dream about? But along with that, make a plan and work hard to make it happen.
My students often say, "My roommate read this story and really liked it", and it's hard to convince them that there are things wrong with it. I say, "well, people who love you want you to be happy. But I'm your professor and I'm supposed to be teaching you something."
My students often say, 'My roommate read this story and really liked it,' and it's hard to convince them that there are things wrong with it. I say, 'Well, people who love you want you to be happy. But I'm your professor and I'm supposed to be teaching you something.'
The great thing about not having a script is there's nothing you have to shoot that day. When you start filming, you can shoot anything you want. There's no pressure to shoot anything. Whatever interests you that day is what you're shooting. That's a big liberation that makes it more enjoyable and more relaxed. I think if you have that kind of framework it can make it a much more satisfying thing to work on and to watch as well.
I have to say, I've never been the girl that's had the five-year plan, the 10-year plan, and I'm still not.
I don't think I ever thought of growing up to be anything other than a musician. There really wasn't a plan B. Well, a kind of a distant plan B was to be a Formula One driver, but there really wasn't an entry point.
I don't consider myself a cynic. I think of myself as a skeptic and a realist. But I understand the word "cynic" has more than one meaning, and I see how I could be seen as cynical. "George, you're cynical." Well, you know, they say if you scratch a cynic you find a disappointed idealist. And perhaps the flame still flickers a little, you know?
As the years have gone on and you start to know your character better than some of the writers and directors do, you get a little bit more of a world in which you can say, "I think it would be really great, if this year, her fate wasn't determined by the boys," or that kind of thing. You have to pick your battles and make sure that you've earned the right to talk about that.
How do I handle it? I would say more times than not, if I have a bad shot, I just get angry and almost like kill the next one. And it usually works I would say 9 times out of 10.
I'm not a natural writer like, let's say - I'm not talking about Arthur Miller; that's a whole other thing - but let's say Woody Allen. But the more I've written, the more I've found that there is a deep well in me somewhere that wants to express things that I'm not going to find unless I write them myself.
I'm taking drama classes, they say I'm a natural actress. I think it's just because I talk a lot. I'm also learning how to play guitar and piano. Piano is really hard though. My dad is teaching me and I just get so confused because the chords are so different, but by learning I hope to be able to be a songwriter as well.
I believe that before anything else I'm a human being -- just as much as you are... or at any rate I shall try to become one. I know quite well that most people would agree with you, Torvald, and that you have warrant for it in books; but I can't be satisfied any longer with what most people say, and with what's in books. I must think things out for myself and try to understand them.
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