A Quote by Confucius
How to play music may be known. At the commencement of the piece, all the parts should sound together. As it proceeds, they should be in harmony while severally distinct and flowing without break, and thus on to the conclusion.
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What I'm after is a composed music that will sound like improvised music when improvisors play it. You shouldn't be able to tell what parts are being improvised and what parts were written out beforehand; it should sound like the same music.
There is music wherever there is harmony, order and proportion; and thus far we may maintain the music of the spheres; for those well ordered motions, and regular paces, though they give no sound unto the ear, yet to the understanding they strike a note most full of harmony.
And we would play together, like fine musicians should, And it would sound like music, and the music would sound good. But in real life I'm stuck with that same old formula, me and my monophonic symphony, six string orchestra.
A great piece of music is beautiful regardless of how it is performed. Any prelude or fugue of Bach can be played at any tempo, with or without rhythmic nuances, and it will still be great music. That's how music should be written, so that no-one, no matter how philistine, can ruin it.
There's very little to be said for learning a piece note by note, reading the rhythmic markings, practising the fingerings and following your instructor's suggestions, if you haven't any idea how the music will eventually sound and feel. If you learn a piece mechanically, you may have to 'unlearn' it before you can play it with expression and feeling.
There should be more love in Toronto when it comes to the music and entertainment scenes instead of keeping that Screwface Capital name. There should be more artists eating together, more artists celebrating together and more artists making music together. That's how I feel.
My talent is definitely a gift. I don't understand where it comes from. I don't play an instrument, and I never went to school for music production, but I know exactly how a song should sound and how to give an artist direction.
The poet should seize the Particular, and he should, if there be anything sound in it, thus represent the Universal.
For there is a music wherever there is a harmony, order, or proportion, and thus far we may maintain the music of the spheres.
I like to focus on making the music sound simple and true, and very lush and full. I think music should take you to somewhere else where you have the space to contemplate or exercise your imagination. All the while you should be feeling real good, like when you have a delicious and decadent meal, macaroni and cheese or foie gras.
To me, part of the beauty of a comma is that it offers a rest, like one in music: a break that gives the whole piece of music greater shape, deeper harmony. It allows us to catch our breath.
Men expect that religion should cost them no pains, that happiness should drop into their laps without any design and endeavor on their part, and that, after they have done what they please while they live, God should snatch them up to heaven when they die. But though the commandments of God be not grievous, yet it is fit to let men know that they are not thus easy.
Sometimes I see players that think, and you can tell they're thinking of the next phrase to play or the next thing to do, the next little cute trick, and that's sad, man, you know. That's not makin' music; that's puttin' together puzzles, you know. Music should flow from you and it should be a force; it should be feeling, all feeling, man.
It is thus that you may lead a charmed life and be forever protected from all harm; it is thus you may become a positive force whereby conditions of opulence and harmony may be attracted to you.
Aomori Water is a sound collage piece made in 1998, in Aomori Japan. I was in a residency with other artists. A Japanese sculptor was making a round house and wanted a sound piece to play in it. I recorded some very gentle waves lapping the beach, for the first part. And a very small mountain stream, flowing, for the second part. I layered 8 tracks. This was the first work that I did in ProTools.
Young gentlemen, who are to display their knowledge to the world, should have every motive of emulation, should be formed into regular classes, should read and dispute together, should have all the honors, and, if one may say so, the pomp of learning set before them, to call up their ardor. It is their business, and they should apply to it as such.
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