A Quote by Conleth Hill
Money's never an issue. I can go and work for a small studio theatre somewhere if it's a play I really care about, or do TV or a big commercial West End show.
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The TV show I do ['Dr Quinn'] is the day job that enables me to work with this theater [Pacific Resident Theatre Ensemble]. That's all I live for. That's what I care about. There's no dough in it. Nothing to do but lose money. But it's all from the heart, and that's why it's so much fun.
And I like being able to go back and forth, and I don't really care if it's a small budget or big budget or studio or independent, as long as it's got a story that's compelling and there's enough money to make the picture.
I did work a lot in Scots theatre, but I was never really successful in Scottish film or TV until I went down to London - and I had to go to the U.S. to get my big break.
If you're in a commercial studio, you've got to be out by the end of the day, and it can be paralyzing, but if you have your own studio you move fast because you don't care. If you don't care, you can be patient, and also think fast.
No, I've never moved on with a play. I did the original 'Closer' in London but didn't transfer to the West End or Broadway with it. The same is true of 'Iceman': I didn't go to the Old Vic or Broadway with that. I don't know; I feel an allegiance often to the play where you do it first, in the theatre that it's in; you do it for that space.
I think TV is all about caring, and if you don't care about a character in a drama or a person when they get voted out of a reality show, it's bad TV. I wouldn't care if you dropped a bomb on the 'Big Brother' house.
I don't care what TV show you work on, even a movie for that matter, it's all about time and money eventually.
Small steps can help people make big changes to achieve what they really desire. That wish isn't going to go anywhere unless you do something about it. Every day, just do one thing. At the end of six months, you'll be somewhere.
I never intended to become a commercial filmmaker in the first place. What I do requires time and experimentation. Commercial work is often not the best way to get the most innovative work, because it's about money and marketing. Although advertising is now embracing non-commercial people.
The world is made up of the big things and the small ones. And the part that's so unfair is that we call them 'big' and 'small' because when something happens to you, when you loose something or someone that your really care about, that's all there is. The world may be blowing up around you, but you don't care about that. You don't care about that at all.
It's wonderful to make a lot of money, to be able to take care of my family, to have the facilities I have and really support the people the studio's involved with. But at the end of the day I'm quite simple as an artist-it's really about the power of art.
For me, the money isn't a big issue. I'm at the end of my career and I'm just happy to play.
I quite enjoy fame, especially when you go to conventions in America where they treat you like a god with stretch limos and the whole fame thing, but then when you come back to Britain, you end up changing in a toilet in a theatre off West End and that's really good, because that is what it's about.
It doesn't matter if it's a school play or a dumb TV show. It's your work. You should care about it so much that people get annoyed with you.
I would love to play a show with Kanye West. That would be amazing. I want to play a show with Tom Petty or Bruce Springsteen. It would be really fun, especially to stick around, watch their show and watch how they work a crowd. It's really a wonderful thing.
Before my commercial career, I never played for more than an audience of 99 seats somewhere in downtown New York, but occasionally someone would recognize me in the subway and say, "Oh, I saw you in that play, you were really great in that," or "the director was really something." It becomes a conversation. When people spot me on the street from my work in commercials, there's nowhere for the conversation to go. Obviously I'm an actor and I can't.
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