A Quote by Connie Britton
In terms of American Horror Story and Nashville, what attracted me to those, and Friday Night Lights, for that matter, is that they felt like something innovative and something that we hadn't seen before. As an actor, that's exciting.
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In terms of 'American Horror Story' and 'Nashville,' what attracted me to those, and 'Friday Night Lights,' for that matter, is that they felt like something innovative and something that we hadn't seen before. As an actor, that's exciting.
We're trying to tell a very full story of 'Nashville' and these characters in Nashville, and I'm really hopeful that we're going to be able to do something as innovative as 'American Horror Story' and 'Friday Night Lights.' And I think so far, we're on the right path for that.
There's something exciting and incredibly liberating for an artist to finish something Friday night and the world hears it Friday night instead of eight months later after marketing people and all those assholes get involved.
TV kind of worked out naturally for me. I was fortunate to do a show like 'Breaking Bad' and then go straight into something like 'Friday Night Lights.' It's not something I focus on, but when they're great projects, I can't pass them up.
If you've seen 'Friday Night Lights' - that was just like my town.
I'm very conscious of the idea of trying to each time present something that I haven't presented before. It's a challenge to me to find something new, to find something innovative, but it's also very exciting.
Something that I learned from 'Friday Night Lights,' sometimes if you have four or five scenes in an episode, it's not having less than having 10. It's what you do with those scenes.
When you use force, people get hurt, and when you kill people, their relatives don't like it. And usually war has some unanticipated consequences so it's something you shouldn't launch into, on the expectation that this is going to rally the nation. This is not like 'Friday Night Lights'.
A friend, Sean Cunningham, who went on to do 'Friday the 13th,' was given a small budget to produce a scary movie, and he told me to write something. I'd never seen a horror film in my life; I'd fallen in love with Fellini.
In 'Friday Night Lights,' the relationship between the coach and his wife, that marriage was something that you couldn't really understand until you actually saw it exist on film.
I need to have something else going on. I'm able to write a lot if I have an episode of 'Friday Night Lights' going on my computer.
I sat at the foot of a huge tree, a statue of the night, and tried to make an inventory of all I had seen, heard, smelled, and felt: dizziness, horror, stupor, astonishment, joy, enthusiasm, nausea, inescapable attraction. What had attracted me? It was difficult to say: Human kind cannot bear much reality.
In the past I'd always felt like 'the girl' in the show or the movie. On 'Friday Night Lights' there were a bunch of girls, and I was the woman. Initially there was a little struggle with my identity around that. But now there's a sense of ease.
I want to create something like Sony. Not in terms of manufacturing products but creating something that is innovative, makes money, improves peoples' lives.
For me, it doesn't matter whether it's a comedy, a Western or horror. As long as you've got a good story to tell, the genre almost doesn't matter. As an actor playing the role, it's all rooted in reality.
It's something that Cory Morrow said to me a long time ago - "Don't ever forget why Nashville is Nashville. The Opry is there for a reason. Country music lives there. Don't be bitter. And don't ever treat Texas or Nashville like either one isn't important."
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