A Quote by Connie Britton

My twin sister, my cousin, and I used to write and perform plays for my family. We raided the closets for costumes and fought over parts. I'm sure I was the bossiest one. — © Connie Britton
My twin sister, my cousin, and I used to write and perform plays for my family. We raided the closets for costumes and fought over parts. I'm sure I was the bossiest one.
My poor sister was forced to be in the plays that I would write. We would go to my grandma's retirement building and perform 'Phantom of the Opera.'
I'm sort of the bossiest sister.
I always used to put on plays when I was younger for my family to watch, when I was 10 or something. I used to force older members of my family to watch the plays and younger members of my family to be characters in the plays - and my personal favorite was Batman.
When my cousin sister got married to a Muslim boy, my family was baffled. All the brothers had abandoned her. But I said there is nothing wrong in it. We have not lost our sister. In fact, we got another family member in the form of that boy.
My sister would write plays, and I would act in them and perform them for my parents. They were on the comedy side, very much inspired by 'The Amanda Show.'
My family background really only consists of my mother. She was a widow. My father died quite young; he must have been thirty-one. Then there was my twin brother and my sister. We had two aunts as well, my father's sisters. But the immediate family consisted of my mother, my brother, my sister, and me.
It was something I was more interested in myself. When I went to see my sister dance at ballet, I was really into costumes and the arts, and my family was also supportive of whatever me and my sister wanted to do. I would say I pushed myself the most to be into design.
I wrote before I could write. I got my hands on a journal, maybe a hand-me-down; I had three older siblings. My first entries are in the handwriting of the sister closets in age (5 years my senior). She must have gotten tired of my dictations because she gave up and then my blocky scrawl shows up. I wrote plays as a kid mostly.
I had a cousin once who lived in your dictionary, inside the binding, and there was a tiny hole which he used for a door, and it led out between trichotomy and trick. Now what do you think of that? It was only a few minutes walk to trigger, then over the page to trinity, trinket and trional, and there my cousin used to fall asleep.
I'm quite close with my family, especially my twin sister, and it's always hard to leave her.
So many American plays are about family. When you're in the first part of your life, you write about family a lot. I find with my absurdist plays that I was actually writing about my family, but so disguised I didn't realize it myself.
Happiness is the twin sister of optimism and the twin brother of contentment.
There are so many actresses I want to write for. I see them, and I think, 'Why is she not playing that lead? What's happened to that actress?' I think all I can do is to write parts for women, to say, 'Keep going, keep acting, because there are parts for you. There will be those plays.'
I would write scripts and little plays and perform them in the living room for my family when I was little with my brother until my mom said, 'Alright, you need to go do it somewhere else other than the house.'
My family fled Iran in October 1978 as a result of the coming revolution when I was two years old. In the early days, my entire family lived together in a very crowded house, where I shared a room with my sister, cousin, and grandmother, and we would all listen to my grandmother tell stories before bedtime.
Aubrey obviously plays Karen's, Sarah Michelle Gellar's, younger sister. And, um, she's sort of always been the underdog in the family and somebody who is not as ambitious or driven as her sister, as Karen's character, so she's sort of always felt like she's had to follow in her sister's footsteps.
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