A Quote by Connie Britton

Sometimes my favorite directors are the ones I literally want to punch in the nose. — © Connie Britton
Sometimes my favorite directors are the ones I literally want to punch in the nose.
Loneliness is a hard thing to handle. I feel it, sometimes. When I do, I want it to end. Sometimes, when you're near someone, when you touch them on some level that is deeper than the uselessly structured formality of casual civilized interaction, there's a sense of satisfaction in it. Or at least, there is for me. It doesn't have to be someone particularly nice. You don't have to like them. You don't even have to want to work with them. You might even want to punch them in the nose. Sometimes just making that connection is its own experience, its own reward.
Stoller is one of my favorite comedic directors - one of my favorite directors that I've worked with to date.
There’s no use saying anything in the schoolyard because there’s always someone with an answer and there’s nothing you can do but punch them in the nose and if you were to punch everyone who has an answer you’d be punching morning noon and night.
Do this rubber guard stuff and I'll punch you in the nose.
I think one of my favorite directors is P.T. Anderson - living directors, I should say. And Spike Jonze is one of my favorites, Gus Van Sant.
Sometimes I even amaze myself, and sometimes I do things that make me want to punch myself in the face.
Get up now and go and find Robert Kilroy-Silk. Smile in a warm, friendly sort of way, then punch him on the nose. Now go and find Robert on television, despite my best endeavours, this is still relatively easy to do. Wait for a close-up, same smile, and punch him on the nose. If you followed the instructions carefully, you will have noticed a distinct difference. On the one hand, you were suffused with a sense of public-spirited righteousness; on the other, you're probably dribbling blood. That's the difference between reality in life and reality on television.
Critics who attack my wife bug me. It makes me want to pay 'em a visit so I could give 'em a good punch in the nose.
Of course, even if the directors like my ideas or the designs I do, they may end up changing the story so much, that those characters have to change, or get cut out altogether, and that's just the way it is. Sometimes the directors are designers themselves, or they want to work with a character designer who will do things in their own distinct way - sometimes the most important thing I do is figure out what they don't want to do, by experimenting. Either way, whether they use my ideas or not, I get paid, so it's all good.
People don't normally just say, 'Do you want to come and audition for one of your favorite directors?'
The truth will set you free. Either that or it'll get you a punch in the nose.
I don't get a fair whack, I don't pursue vendettas or punch people on the nose.
I do like to work with young directors because it's such a difficult business that I think after directors have been around a while sometimes, not always, but sometimes their passion gets siphoned off because they get hurt.
If anybody doubts my loyalty to my country, I'll punch him in the nose, and I don't care how old he is.
If you had a face like mine, you'd punch me right on the nose, and I'm just the fella to do it.
[Putin] is a bully. And bullies only understand when we punch them in the nose, but we need to do that economically.
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