A Quote by Connie Brockway

She'd stood by that creed. No softness, because the world wasn't soft; lots of laughter, because if you were in on the joke, the joke couldn't be on you; And no wanting what you couldn't take, because the world never gave. Or so she'd thought.
She can be Mary Poppins but she can also be - I would never use the word 'crude' in the same sentence as Julie Andrews because she is so fine and beautiful - but she can be naughty and she doesn't mind a good joke.
Why does one begin to write? Because she feels misunderstood, I guess. Because it never comes out clearly enough when she tries to speak. Because she wants to rephrase the world, to take it in and give it back again differently, so that everything is used and nothing is lost. Because it's something to do to pass the time until she is old enough to experience the things she writes about.
I took my daughters to see Plastic Ono Band at the Orpheum in L.A. in 2012. It was an amazing experience because she is such a revolutionary artist. Everybody was like, 'Oh, it's Yoko, it's such a joke.' But it's no joke what she did, visually and musically. It's incredible.
Dickinson is my hero because she was a joker, because she would never explain, because as a poet she confronted pain, dread and death, and because she was capable of speaking of those matters with both levity and seriousness. She's my hero because she was a metaphysical adventurer.
What you never want to do is have a story that doesn't track emotionally, because then you're going joke to joke and you're going to fatigue the audience. The only thing that's going to string them to the next joke is how successful the previous joke is.
As far as outlining is concerned, I don't outline humor. I might right down a word or two to remind myself of a punch line I thought of, but the actual structure of a piece I really don't. I don't think it would really help me because for me the process is joke, joke, joke, joke.
She cried for herself, she cried because she was afraid that she herself might die in the night, because she was alone in the world, because her desperate and empty life was not an overture but an ending, and through it all she could see was the rough, brutal shape of a coffin.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
There is always the risk: something is good and good and good and good, and then all at once it gets awkward. All at once, she sees you looking at her, and then she doesn't want to joke around with you anymore, because she doesn't want to seem flirty, because she doesn't want you to think she likes you. It's such a disaster, whenever, in the course of human relationships, someone begins to chisel away at the wall of separation between friendship and kissing.
I knew then that Jocelyn would never come back to me, because of you. You are the only thing in the world she ever loved more than she loved me. And because of that she hates me. And because of that, I hate the sight of you
I first understood the changes that were necessary in this world, because the waiters in the restaurant, when I cried, used to say, "Leave her on the hillside to die. She's only a girl baby." I think they said it somewhat as a joke, maybe not, but it made me understand that being born female in this world was very different from being born male.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
The poet must not only write the poem but must scrutinize the world intensely, or anyway that part of the world he or she has taken for subject. If the poem is thin, it is likely so not because the poet does not know enough words, but because he or she has not stood long enough among the flowers--has not seen them in any fresh, exciting, and valid way.
She said she usually cried at least once each day not because she was sad, but because the world was so beautiful and life was so short.
Her cake is a failure, but she is loved anyway. She is loved, she thinks, in more or less the way the gifts will be appreciated: because they have been given with good intentions , because they exist, because they are part of a world in which one wants what one gets.
In a weird way, it's not different from any other kind of joke-telling. You make those calculations about jokes about celebrities: is this a fair hit or not? The stakes were higher because the whole world was crumbling around us, but in terms of joke-telling, it's all about feel.
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