A Quote by Connie Nielsen

The size difference on a Warner Bros. film versus the small productions I had been on in Europe was enormous. You go from 20 people on set to 150. — © Connie Nielsen
The size difference on a Warner Bros. film versus the small productions I had been on in Europe was enormous. You go from 20 people on set to 150.
You see a Clint Eastwood movie, and you might not know if it's from Universal or Warner Bros. or another studio. He has affiliations with so many studios now, but there was a time when you'd just look at a movie and think, 'Oh, that's a Warner Bros. film.'
My connection to 'Aquaman' came out through the Sony hack. It had no relationship to reality. I was not on that film. I was not hired to work on that film. I had been talking to Warner Bros. about it.
I've been through the entire gamut of the music industry - I've been playing in clubs since I was 14, and I've been on Warner Bros, on Sony - I've had lots of successes and some serious times of struggle.
I have felt for the last 10 years I have had this battle; I've been fighting so hard to have an education. It's been this uphill struggle. I was Warner Bros' pain in the butt. I was their scheduling conflict. I was the one who made life difficult.
Warner Bros. was a great label to be affiliated with. It's the best label out there, and the fact that I was with them for 20 years was just an honor.
I've proven that I'm not a complete failure. Every film has done well. It's like, "So, okay, when do I get my deal at Warner Bros?
And Warner Bros. seems to be pretty much into re-releasing all of their catalog. So there's the Warner Bros. stuff and the stuff that we have control over, we're gradually re-releasing it. Some stuff we don't have control over.
I was really disappointed that Warner Bros. didn't think highly enough of my film or my filmmaking to ask me to make the new Superman.
My home in Hollywood is not a home. I do a film here, a film there, as they want it. I don't have a relationship. Like, Warner Bros. has a great relationship with Clint Eastwood and takes care of him.
People think that, somehow, size makes you uncoordinated or incompetent. There is a lot of size discrimination out there, and I see the difference in the way people treated me when I was 360 pounds versus how they treat me when I'm 290 - from the industry to day-to-day people on the street.
The studies I've seen about readability and legibility tend to focus on a specific set of metrics: size, not just the point size, but things like the size of the lower case letters as a proportion of the overall letter height, and line length. People simply can't read really small type set in really long lines.
If you love Harry Potter, you're going to absolutely love this...this is the biggest box set that Warner Bros. has ever done. If it was any bigger, it'd need wheels.
I feel grateful to be this size; after all, if I weren't small and had not achieved these world records, I might never have been able to visit Japan and Europe and many other wonderful countries.
I think Warner Bros. are probably some of the best people in marketing films in the world.
I turned in a script that meant a lot to me and an executive at Warner Bros said he was disappointed in me. I took a hit of confidence and stepped away from film-making for some time.
I still really love the world and the universe and the mythology of 'Halo.' If I was given control, I would really like to do that film. But that's the problem. When something pre-exists, there's this idea of my own interpretation versus 150 other people involved with the film's interpretation of the same intellectual property.
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