A Quote by Connor Franta
When taking a photo, I tend to look for one of the following: depth, symmetry, color or contrast. All of those things catch my eye to the point where I stop dead in my tracks to capture whatever it is that I've seen.
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When a moment in front of me appears to be particularly special, whether it be by beauty or experience, I capture it. I usually find a reason to justify taking that photo - symmetry, or color, or contrast - and it's my hope that my photography sheds light onto what I see and do on a daily basis.
We're bombarded with images. Take the time to stop and look at something then connect with them and maybe they're thinking the same thing, I used a lot of devices to catch the eye of people who have seen a lot of stuff, having worked in advertising and in editorial. I have learned to get someone to stop and look at something, that language.
I don't like it when people don't look me dead in the eye. I move my head around trying to catch their eye.
Stop watering things that were never meant to grow in your life. Water what works, what's good, what's right. Stop playing around with those dead bones and stuff you can't fix, its over...leave it alone! You're coming into a season of greatness. If you water what's alive and divine, you will see harvest like you've never seen before. Stop wasting water on dead issues, dead relationships, dead people, a dead past. No matter how much you water concrete, you can't grow a garden.
In teaching color, you teach people how to look something and see the tone in it and break it down to be able to paint it and reproduce that color. But then, I'm psychedelic, so I look at color differently. I like colors that are in contrast with one another, so that they flicker back and forth.
The most important thing in imaging for me is the dynamic range. The dynamic range means the tones that you can capture from highlights to dark and the bits, the depth of color that you can capture.
Our notion of symmetry is derived form the human face. Hence, we demand symmetry horizontally and in breadth only, not vertically nor in depth.
Color is a major element in scale. A small room can have a larger look by the use of closely related values, hues, and intensity. A large room can be made to look smaller by marked contrasts of color and value, hue, and intensity. Value is one of the most important elements. Whether light or dark, little value contrast makes for unity, and sharper contrast makes for stronger punctuation.
For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go.
I'm a filmmaker, so I always think: When is the breaking point? Sometimes you've got to go beyond the breaking point, and then you catch it. When is long enough? It's one of those things you have to look at, walk away, and go home and find out what it is.
Just pushing a button is taking a photo. Thinking, lighting, and lots of other things~that's making a photo.
I'm always trying to get to a danger point in color, where color either becomes too sweet or it becomes too harsh, it becomes too noisy or too quiet, and at that point I still want the picture to be strong, forceful, and the carrier of everything that a painting has to have: contrast, drama, austerity.
We have seen SARS stopped dead in its tracks.
And she arose from her deathbed in a gossamer gown, with eyes the color of starlight and hair as black as the night. And those who were her captors trembled, for the scent of death and madness emanated from her soul, and yet she was not dead. She moved like the spiders that creep in the treetops, and none could look away. Taking her first captor in hand, she fed deep and ravenous. And so it was that Myst, Queen of the Indigo Court, was born from the blood of the dead.
We look at the African-American community, for a long time those of us who be considered strong - black men - for whatever reason, haven't done a good job of taking care of the weak. And we were doing things that render taking care of our youth and taking care of our women and our families impossible, when our lives are taken.
You see shape, and how the light hits things, how the color changes from one end of the photo to the other, and how movement affects the mood of the photo.
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