A Quote by Conor Cruise O'Brien
Man watches his history on the screen with apathy and an occasional passing flicker of horror or indignation.
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The religious urge in man is not a mere passing phase in the history of his spiritual development, but the ultimate source of all his ethical thought and all his concepts of morality; not the outcome of primitive credulity which a more "enlightened" age could outgrow, but the only answer to a real, basic need of man at all times and in all environments. In another word, it is an instinct.
My effort here is to create bliss, not happiness. Happiness is worthless; it depends on unhappiness. Bliss is transcendence: one moves beyond the duality of being happy and unhappy. One watches both; happiness comes, one watches and does not become identified with it. One does not say, 'I am happy. Peace, it is wonderful.' One simply watches, one says, 'Yes, a white cloud passing.'
I know that the history of man is not his technical triumphs, his kills, his victories. It is a composite, a mosaic of a trillion pieces, the account of each man's accommodation with his conscience. This is the true history of the race.
What is the secret to great living? Entire separation to Christ and devotion to Him. Thus speaks every man and woman whose life has made more than a passing flicker in the spiritual realm. It is the life that has no time for trifling that counts.
A boy, by the age of 3 years, senses that his destiny is to be a man, so he watches his father particularly-his interests, manner, speech, pleasures, his attitude toward work.
When you're talking horror or sci-fi, you're working in a genre that has loosely certain thematic elements, or, you could even call them rules. But rules are there to be broken. I think that young filmmakers should go all the way back to the history of horror, from silent films like "Nosferatu", and through to today's horror films, so they understand the history of horror films and what has been done. Understand that, and then add something new or original.
He saw on the paper a picture of a man, white-skinned, who hung upon a crosspiece of wood. The man was without clothes except for a bit about his loins, and to all appearences he was dead, since his head drooped upon his shoulder and his eyes were closed above his bearded lips. Wang Lung looked at the pictured man in horror and with increasing interest.
But after this natural burst of indignation, no man of sense, courage, or prudence will waste his time or his strength in retrospective reproaches or repinings.
When horror turns into gore, when you show the monster, the killings, and the blood, it loses its suggestive powers. It loses part of what makes a horror film a horror film, which is that the images you see develop in your brain and you become the one imagining what you are not seeing on screen.
A wise man watches his faults more closely than his virtues; fools reverse the order.
Sean Spicer gives press briefings like someone is going through his browser history while he watches.
It's funny that you can murder someone horribly and graphically and disturbingly in a horror film, and it's not an NC-17, but if you put a naked man on screen, everyone freaks out.
The passing of an ordinary man is sad. The passing of a great man is tragic, and doubly tragic when the greatness passes before the man does.
Every man should write a brief history of his life: his parentage, his birth, his religion, when he was baptized and by whom, when ordained, what to, and by whom-give a brief sketch of all his missions and of all his official acts and the dealings of God with him. Then if he were to die and the historians wished to publish his history, they would have something to go by.
It is when music is added that a film can come to life for a director. A live orchestra, playing the score as a conductor watches the film on a huge screen, often gives a fimmaker the first real glimpse of his soon-to-be-completed work. That's where the magic is.
Some people confuse acceptance with apathy, but there's all the difference in the world. Apathy fails to distinguish between what can and what cannot be helped; acceptance makes that distinction. Apathy paralyzes the will- to- action; acceptance frees it by relieving it of impossible burdens.
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