A Quote by Conor Maynard
I met Ne-Yo in London. I sang for him and he said, 'I want to sign you.' It was amazing - it meant my name was buzzing around the industry and I got to meet lots of different labels.
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The first night I met Yo-Yo Ma, I found him the most charming person I had ever met, and I was willing to follow him with the camera anywhere.
I feel like I just learned a whole new world when I was studying under Ne-Yo when I was about 17. I was living on Ne-Yo's manager's couch, making three songs a day.
I found myself at Cambridge, loved my course, and met these amazing people who got me heavily involved. I presumed I would have to go to drama school, but I did a play with my uni friends, who were doing lots of pub theatre in London, and through that met my agent. She said 'Don't go to drama school. I'll get you a job' and two weeks later she did.
He was breathing, which is always a good sign. As gently as I could I picked him up, placed him on the towel, wrapped it around him, and put him in my car. I drove to the emergency clinic, the cat purring on the seat beside me. “What’s his name?” the young man at the front desk asked as my towel and cat were whisked to a back room. “Uh…John Tomkins,” I said. “That’s different,” the receptionist said, writing it down. “He was a pirate,” I said. “I mean Tomkins. I don’t know about the cat. (...)
If you're an artist trying to put out your own record on your own label, it's hard to get a distribution deal because no one wants to sign a deal with one entity. They want to sign distribution deals with labels, who have lots of product, lots of artists.
One day I got to meet him because he was teaching Broadway dance. It was a little after Tap came out and he was very young. He wouldn't remember me, but it was quite amazing. And now I've met him as an adult!
Question: Why is that MC's be wack
And major labels wanna sign that crap?
A-yo...funk that!
Sometimes you meet a really nice guy, but no matter how you try, you can't seem to make yourself want him. But that's not nearly as bad as when you meet the wrong guy, and you can't make yourself not want him. You feel hollow inside, just waiting and wishing and dreaming. You feel like every moment is leading to something so amazing that there's no name for it, and if you could just get there with him, it would be such a...relief. It would be all you'd ever need.
Once I heard Karunakaran was part of 'Lingaa,' I told him to somehow arrange for me to meet Thalaivar. The 'Jigarthanda' team met him when he was shooting in Shimoga. It was a memorable meeting, as he opened the door for us, sat, and answered whatever we asked him. And, I got to meet him twice in two days!
I arrived in Tokyo in around '81. Around that time, I visited London for about two months - it was the period just before Malcolm McLaren released his solo album Duck Rock. I'd met him when he came to Japan, so I visited him in London and spent one evening with him and his girlfriend over at his house. He told me, "London is boring right now. You should go to New York." So he called a friend in New York, who I think was an old assistant or someone who helped him record early hip-hop stuff over there.
XI I sang his name instead of song; Over and over I sang his name: Backward and forward I sang it along, With my sweetest notes, it was still the same! I sang it low, that the slave-girls near Might never guess, from what they could hear, That all the song was a name.
I got my deal off MySpace.com. I wrote to J.R. Rotem. He is big producer. He's done a lot of stuff for Rihanna, 50 Cent, Britney Spears and etc. I thought, "Yo, this guy is really talented I want to work with him." Once I sent him message he didn't reply back. I kept on sending the messages. I kept on hitting him back like eight times a day. He eventually replied back like, "Yo, I want to hear more music."
Our original name was Wild Country, but when we first went to The Bowery, they had the name of all 50 states around the edge of the club, so we went to the sign that said 'Alabama' and stuck our band name underneath it.
Meghan pushed her chocolate cheesecake across the table to me. I hadn’t gotten paid yet for November, so I had only ordered coffee. “Here,” she said. “Don’t you want it?” “Sure I want it. I ordered it. But I’m giving it to you.” “Why?” Meghan stood up and got me a fork. “Remember what Nora said about love? In your movie?” “Love is when you have a really amazing piece of cake, and it’s the very last piece, but you let him have it,” I said. “So it’s really amazing cake,” said Meghan. “And I want you to have it.
I met Tom Baker doing a voice-over when David [Arabella's friend, David Tennant] wasn't at all well known. We were doing this voice-over together and I said to Tom, 'Oh, my friend's a really, really big Doctor Who fan,' and he replied, 'Wait!' He got his cheque book out and asked, 'What his name?' I said 'David Tennant'. He wrote, 'To David Tennant, seventeen pounds forty five', signed it and I asked him what it meant. He said, 'He'll know'
I first met Nelson Mandela when I was in my late 20s, in 1993. I was helping facilitate an African National Congress (ANC) workshop to plan its media strategy. I went down to meet him for the first time and you know me I got stupid... I just choked. I said, "Hello Madiba, it's a real honour to meet you," and I couldn't get another word out.
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