A Quote by Conor Maynard
I would probably work with Drake as he is massively inspirational to me as a writer as well as an artist. If not him, then Susan Boyle!
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When you work with Drake, you don't really work with Drake. You send him the song, he rap on it, then y'all done worked together. So it ain't like me and him sitting in the studio.
We've seen people who have a 'make-under' just to try and recapture that Susan Boyle moment but it doesn't work like that.
For a rapper as well-known as Drake, there remains an essential element of mystery about him. For one so open, there's a distance, and he prefers it that way. But then there's something beneath the exterior that reveals itself with urgency in conversation: Drake's raw ambition.
I don't look like Susan Boyle!
If you work for a man, in heavens name work for him! If he pays you wages that supply you your bread and butter, work for him speak well of him, think well of him, stand by him and stand by the institution he represents. I think if I worked for a man I would work for him. I would not work for him a part of the time, and the rest of the time work against him. I would give an undivided service or none. If put to the pinch, an ounce of loyalty is worth a pound of cleverness.
In the case of, like, Childish Gambino, he is someone who is a writer by trade, so he is very meticulous about how he writes his ideas. I don't do this with a lot of artist, but he would give me a treatment that he wants to do, and I'll go off that; then I'll give him feedback and pitch him my ideas.
Being able to hear an artist and emulate them has been a huge part of being successful as a producer and co-writer. I think it's a problem when a producer comes in to work with an artist, and you can't hear the artist as well anymore. It's very important to me to be invisible.
For now I'm happy the way I am – short and plump. I would not go in for Botox or anything like that. I'm content with the way I look. What's wrong with looking like Susan Boyle? What's the matter with that?
When we met Susan Boyle she was a very unassuming lady. We didn't expect anything and we were probably a little dismissive of her.
I am convinced that each work of art, be it a great work of genius or something very small, has its own life, and it will come to the artist, the composer or the writer or the painter, and
say, "Here I am: compose me; or write me; or paint me"; and the job of the artist is to serve the work.
Mary is God's masterpiece. Have you ever walked into a museum where an artist was displaying his work? Can you imagine him being offended if you were viewing what he considered to be his masterpiece? Would he resent your looking at that instead of at him? 'Hey, you should be looking at me!' Rather, the artist would receive honor because of the attention you were giving his work. And Mary is God's work, from beginning to end.
Oh God love Susan Boyle. God love 'er. I've nothing more to say about Susan, except God love 'er and God bless 'er.
I've always felt that I would rather see an actor, writer, or musician's work, rather than actually know the person. If you know too much about an artist, it somehow lessens their ability to do their work as well.
Comedy is like music - there are genres and styles for every taste. Katy Perry is there for people who like frothy pop music. Metallica is there for people who like head-banging metal. And Susan Boyle is there for... well, I don't who the hell is listening to that freak of nature, but that's not the point. In art, there's something for everybody.
I'm not a sketch writer. I know what I am: I have a sensitive comedic sensibility. What turns me on is subtle neurosis. That's my game. I'm not an action writer or a thriller writer and I'm not a sketch writer. I don't pretend to be those things. Then it would not be fun. Then you are in a space where this is painful.
If a writer understands his work as something that originates with him but then, with any luck, gets away from him, then what he needs is someone who can grasp the potential of the piece and lead him to that higher ground.
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