A Quote by Conor McPherson
I would love to make a 1830's period piece, a house in the country, a classic atmospheric haunted house movie, visually it would be so beautiful, the costumes, the candles, the darkness, and the quiet, no radio, to TV, the clock ticking away.
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I was going to do a big radio show, and I said to my driver, 'Radio can wait, take me to the Full House house.' It literally was a drive-by. I photobombed the Full House house yesterday. I took like 20 pictures because I thought I didn't look good in any of these - you can't see the house! You gotta really show that that's the house!
'Insidious 2' is a direct continuation of the first movie. We literally pick up from where we left off at the end of the first film. And whereas the first movie is a twist on the haunted house genre, the second movie is a twist on the classic domestic thriller.
When I was a little kid, I wrote this play about all these characters living in a haunted house. There was a witch who lived there, and a mummy. When they were all hassling him, this guy who bought the house - I can't believe I remember this - he said to them, 'Who's paying the mortgage on this haunted house?' I thought that was really funny.
I always loved music and would listen to the radio and watch out for new stuff. When I was about nine or ten, I would go around to me friend's house on a Sunday when the top twenty was broadcast on the radio at 6 P.M., and we would tape it on a cassette, and then we would take turns in sharing it over the next week.
Her secret to happiness was simple and unpretentious. She had a beautiful house, would pick fruit and make jams, run the dogs in the fields, have a whiskey at five o'clock and cook a great plate of pasta. It wasn't complicated.
The police [in South Africa] would check in on you randomly. And they would come into the house, and they would look through that registry and look at all the names of all the people who were registered to be living in the house. And they would, you know, cross-reference that with the actual inhabitants of the dwelling.I was never on that piece of paper. I was always hidden. My grandmother would hide me somewhere if the police did show up. And it was a constant game of hide and seek.
I was taught that candles are like house cats - domesticated versions of something wild and dangerous. There's no way to know how much of that killer instinct lurks in the darkness. I used to think the house-burning paranoia was the result of some upper-middle-class fear regarding the potential destruction of a half-million-dollar Westchester house the size of a matchbox. But then I realized the fear stemmed from something far less complex: we're not used to fire. Candles are a staple of the Judaic existence and, like many suburban residents before us, we're pretty bad Jews.
It's as interesting to me as someday getting to play in some beautiful period piece where the costumes are from a completely different era. This feels as extreme as that, and that's really liberating. It's really liberating to just go 180 from what my life is like. I love that! I love not having to think about clothes. I wanted to wear a uniform when I was in high school, but I couldn't. I was like, "It would be so much easier!"
I still have a dream of one day - I would love to hire a semi-retired contractor and just build a house - him and I building a house for me. I would truly love to do that
I still have a dream of one day - I would love to hire a semi-retired contractor and just build a house - him and I building a house for me. I would truly love to do that.
There are two clocks ticking in Iran. One is the democracy movement clock which is ticking now faster than it was but it's got a lot of catching up to do. And then there's the clock that's ticking towards a nuclear weaponry.
I would be lying to you if I said I wouldn't love for it [Equalizer] to become a franchise, I would love for it to become a hit and all that great stuff. Who knows-you just make the best movie you can make, you know it's like, eat the whole thing, one piece at a time. And then, we'll see what happens, I would love for it to be.
The house kept its own time, like the old-fashioned grandfather clock in the living room. People who happened by raised the weights, and as long as the weights were wound, the clock continued ticking away. But with people gone and the weights unattended, whole chunks of time were left to collect in deposits of faded life on the floor.
I was actually asked to do the Christmas design for the White House. I thought it would be interesting, given that it has such a rich history, to decorate around some real beautiful oversized images of the history of the White House and the history of the country.
Nature is a haunted house--but Art--is a house that tries to be haunted.
It was a house without kindness, never meant to be lived in, not a fit place for people or for love or for hope. Exorcism cannot alter the countenance of a house ; Hill House would stay as it was until it was destroyed.
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