A Quote by Conor McPherson
The play is a very simple idea really; someone needs some support and consolation, and she finds a place where she gets it.
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She comes to me when she wants to be fed. And after I feed her -- guess what -- she's off to wherever she wants to be in the house, until the next time she gets hungry. She's smart enough to know she can't feed herself. She's actually a very smart cat. She gets loved. She gets adoration. She gets petted. She gets fed. And she doesn't have to do anything for it, which is why I say this cat's taught me more about women, than anything my whole life.
The techniques are all means of dealing with one simple idea: She wrote it. (That is, the "wrong" person--in this case, female--has created the "right" value--i.e., art.)
Denial of Agency: She didn't write it.
Pollution of Agency: She shouldn't have written it.
Double Standard of Content: Yes, but look what she wrote about.
False Categorizing: She is not really she [an artist] and it is not really it [serious, of the right genre, aesthetically sound, important, etc.] so how could "she" have written "it"?
Or simply: Neither "she" nor "it" exists (simple exclusion).
Rey's parents left her at 5, and we meet her when she's late teens or early 20s, and for someone to keep hopeful that there's a better life to come, I think, is astounding. Though she starts off alone, she very much finds her place in a group of people, and that's lovely.
My wife's an architect, so she definitely has a very high-risk artistic profession, and she gets the idea that you're really sensitive, you really care what people think, you have a low threshold for criticism.
My mum and dad aren't together, but she plays a massive part in my life. We have deep conversations: I tell her where I need support, where I feel she's lacking, and I support her with whatever she needs. I understand she won't be here forever, and I want no regrets.
We did an episode where she goes out to get a job and she gets fired because she's not good. They hire a babysitter to help out and she finds out she hates the fact that the kids have more fun with the sitter than her.
A woman needs someone she can trust, someone who laughs when she laughs, but who has different ideas so she can learn from and teach to them. She needs someone who will stand up with her and encourage her to be a woman-not just a female. See where you are, admit what you know, and what you need, and search for a sister friend.
People think Paris [Hilton] is a ditzy blond, and I don't want to blow it for her, but she plays it really well. She knows exactly what she's doing. She's actually a pretty smart person. She's very cognizant of what she's doing, and she kind of plays that role, so people think she's some airhead but she's really not.
The process by which the idea for a play comes to me has always been something I really couldn't pinpoint. A play just seems to materialize; like an apparition, it gets clearer and clearer and clearer. It's very vague at first, as in the case of Streetcar, which came after Menagerie. I simply had the vision of a woman in her late youth. She was sitting in a chair all alone by a window with the moonlight streaming in on her desolate face, and she'd been stood up by the man she planned to marry.
I liked Nicole Kidman because she is so fashionable she can do less is more. It was very, very simple, but it was so chic. Some people thought she looked washed out, I didn't at all.
My mom is a hard worker. She puts her head down and she gets it done. And she finds a way to have fun. She always says, 'Happiness is your own responsibility.' That's probably what I quote from her and live by the most.
Sia is like no one else I've ever worked with. She comes completely from this non-logical but very emotional place. I could be wrong, but she doesn't really seem to analyse what she's writing. She doesn't really revise it, but goes with that first thing that comes out.
So many players play Serena Williams, and so many players may catch her on a bad day, but she finds a way. She finds that extra gear. She makes it interesting, but at the end of the day, she come through in the end.
Because she is afraid of not being supported, she unknowingly pushes away the support she needs.
However beautiful a woman may be, she gets cold feet, she gets angry, she fears, she has insecurity - she is a human being.
Lily's really together - she's a sharp kid and one of the smartest human beings I have ever met. Whatever she is doing, if she needs any advice, I'm there for her. Kids are going to make their own decisions, but I guess that the only thing you can do as a parent is to offer support. And I do.
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