A Quote by Conor Oberst

The idea of forever is kind of ridiculous, which is unfortunate because its kind of a nice thing to say, you know. I think it softens the blow of mortality and having to say goodbye to everything you know and everyone you love and all that kind of thing.
The idea of forever is kind of ridiculous, which is unfortunate because it's kind of a nice thing to say, you know. I think it softens the blow of mortality and having to say goodbye to everything you know and everyone you love and all that kind of thing.
You can only really understand good if you have bad, so the idea of heaven or anything that happens for eternity, even if it's nice, I can't imagine it being nice forever. Even the idea of forever is kind of ridiculous, which is unfortunate because it's kind of a nice thing to say, you know.
It's funny to be discovered by a lot of people who didn't know you before. People always used to say, 'Do you shop at Home Depot?' or 'Does your kid go to such and such school?' They want to know why they know me, even if they don't know my name. I don't think that's a bad thing, by the way; I think it's nice to be kind of anonymously famous.
'Griot' is a French word which means, you know, really, literally, 'cry.' You know, like the town crier. You know, they come in and say, you know, 'It's nine o'clock; everything is cool.' You know, 'President Bush is a fool.' I mean, stuff like that just to tell you. But for the kind of, the African thing is called djali.
I am thinking of actual cases of adolescents, lets say, who think they have five hundred friends, because there are five hundred people on their Facebook account. But these are the kind of friends whose relation to you is that if you say 'I bought a sandwich'; they say 'did it taste good?' You know, that's a kind of interaction, but very different to having a real friend, somebody who you can actually talk to.
I'm writing this down, because it is going to be hard for me to say it. Because this is probably our last time just us. See, I can write that down, but I don't think I can say it. I'm not doing this to say goodbye, though I know that has to be part of it. I'm doing it to thank you for all we have had and done and been for one another, to say I love you for making this life of mine what it is. Leaving you is the hardest thing I have to do. But the thing is, the best parts of me are in you, all three of you. You are who I am, and what I cherish in myself stays on in you.
I think social media is a double-edged sword for athletes and celebrities. I think sometimes it's the worst thing. It gives people who are kind of cowardly the opportunity to kind of take an open shot at you or your family and say the craziest, most outrageous thing that they can think of, knowing that they would never say that to your face.
I think that's why it's difficult for women when they watch TV and we see one version of a woman who is attached at the hip to a guy, and that's kind of her whole thing. You kind of go, 'I don't relate to this, I don't feel this.' You know? Maybe somebody does, but not everyone. That's the other thing about storytelling, is you can't represent everybody. You know, you can't seek to do that. You have to tell stories that you're interested in talking about and characters that intrigue you.
It's not that kind of love. It's the real kind. The unconditional kind. The nonjudgemental kind. Not the physical kind. I love you as a fellow soul who inhabits this earth. I love you as a fellow immortal. I love you because I finally understand what made you the way you are. And if I could change it, I would. But I can't—so I choose to love you instead. And my hope is that my acceptance of you will spur you to do something good too, but if not—" I shrug. "At least I can say I tried.
I actually wrote the song first as "well, it's 9 o'clock on a Saturday." That bit. Then I said, You know what? It needs some kind of an introduction to kind of set the mood and set the flavor. So I just played this kind of cocktail lounge thing, the hustle and bustle of waitresses going by - that kind of thing.
I get frustrated by the way camp is portrayed sometimes. Camp, for me, is a nice 'everyone is welcome' kind of thing rather than an 'ooh, what's she wearing' kind of thing.
You know what, I'm happy to say that everything outside of 'Dexter' feels like a vacation, and I don't mean to say anything negative about the show. It's just a different kind of work. Emotionally it's taxing and complicated, and that's a great thing.
I think it's still kind of weird to memorize a line, because you're supposed to 'be' this person, you know? So then its like, if I'm really this person, how can I be in the moment if I know there's just one line I'm supposed to say? It doesn't feel natural. I always just kind of want to say whatever comes up.
Without question, of the heterosexual men that I've spoken to over the years, that's usually - they say, you know, my favorite thing you've ever done was Linda or Sophie. And they were a particular kind of very feminine, recessive kind of personality. So they fell in love with her, but they didn't feel the story through her body.
' Daisies' is about a guy touching dead people and bringing them back to life. It's kind of morbid, you know. But there's a love to it. There's a kind-heartedness to it that I think makes it - I don't know; it's a good thing to put out there in the world, so I'm glad people responded.
I've rarely kept my distance from kind of - I don't know if we can call it politics, but kind of, civic engagement and that kind of thing, except I tended to think, 'Well, do it yourself before you start telling other people what they should be doing.'
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