A Quote by Conor Oberst
I want to be enriched by the music I listen to. That's the reason it never really exists in the mainstream. Because that's not what most people are after.
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I'm always weary of connotations. I don't want people to listen to the music I make presently because they liked my previous work, or to dismiss it because they didn't. I'm guilty of this as well - having preconceptions about other artists - but it's stupid because all music exists on its own and should be listened to with a clear head.
I'm really focused when I'm working out, so I don't really listen to music. I like to listen to music after, because it's like, 'Yeah! I finished! Let's party!
I'm really focused when I'm working out, so I don't really listen to music. I like to listen to music after, because it's like, 'Yeah! I finished! Let's party!'
I got my own sound in Atlanta because I don't listen to anybody's music. When you listen to people's music, you start to say stuff they say as an artist because that's what you've been listening to. Me, I don't listen to anybody. I support, but I don't listen, because I don't want to run with someone style. I do my own thing.
I don't listen to music a lot in that I rarely sit down and put on a CD because I really want to treasure the silence that is there when I'm not practising. But when I listen to a piece, I listen to it often.
We never settle for 'This is good enough.' It always has to be amazing because that's the kind of music we'd want to listen to, and that's the kind of music we want to give to other people.
I listen to nothing or classical music just because after being in the studio for twelve hours, the last thing you want to do is listen to anything.
I'm always intrigued by people that listen to my music, I just naturally want to get to know people who listen to my music because people who end up having such an attachment with my stuff, I wonder why they have such a connection to something that's so personal to me in the first place.
There was a time when my taste in music was mainstream, for example - people like Jimi Hendrix - who I really based a lot of my inspiration on, was the most popular entertainer of his day. He was really number one. And bands like Led Zeppelin, The Beatles are really number one bands. But those days are very much done. I can't say that if I listen to the number one artist now that I get excited.
Well, I was a real late-comer to listen to music, actually, because my parents - first of all, my parents weren't big music fans. They didn't listen to music. We didn't really listen to stuff in the house.
We think of music as this substance that flows - you turn on the tap, and there it is, streaming off your computer - but that's not how we evolved as a species. We evolved to listen to each other, and the reason we're able to listen to music in the terms is talking about is because we're really good at listening to each other. But this kind of technology has allowed us to forget that music is the sound of each other.
My activities have never had anything to do with the idea of becoming famous or achieving success. I have always been concerned with getting people to listen to me. In everything I do ... my aim is to make people listen. I want to communicate the things that I love and in which I believe, because I think that people can derive a general benefit from them. What I really want is success in a philosophical sense: I want people to grasp something of the ideas and hopes which I express in painting.
We definitely classify things in order to get closer to what we believe in - so it serves a purpose to really think about one style of music, and to understand the shades of delineation between similar artists. But yeah, it's really nice to listen to something the way most people listen to music! Just to enjoy it, without having to put it in context.
I think people assume that whatever kind of music you make is the music you listen to. Don't get me wrong, I listen to tons of pop music and all the music that really inspires Best Coast is very straightforward '50s and '60s pop music, but I've been listening to R&B and rap since I was a kid. I grew up in L.A. It's part of the culture. I listen to anything.
It’s never going to be very mainstream. One reason is that poetry requires concentration, both on the part of the writer and the reader. But it’s kind of unkillable, poetry. It’s our most ancient artform and I think it’s more relevant today than ever, because it’s one person saying what they really believe.
Growing up, my grandmother did not want worldly music in the house. Then when I went out to California, I started listening to Spanish music, mostly Mexican music. But were I in Egypt, I would listen to the music of the people, or if I was in Italy, I'd listen to Italian music.
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