A Quote by Conor Oberst
I'm not the most technically savvy person in the world. Like, I'm not good at troubleshooting when stuff happens to my digital music.
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In the digital age we're in now, with satellite radio and Pandora and stuff like that, it's not about, "I listen to this kind of music." It's about, "I listen to good music and bad music."
You could say I'm on the troubleshooting squad." "Troubleshooting?" He put a hand on the back of his waistband. "I see trouble and I shoot it.
Here's the problem right now; the person who is savvy enough to want to have a good PC to upgrade their video card, is a person who is savvy enough to know bit torrent to know all the elements so they can pirate software. Therefore, high-end videogames are suffering very much on the PC.
He did it (listened) as the world's most charming and magnetic people do, always asking the right question at the right time, never fidgeting or taking his eyes from the speaker's face, making the other guy feel like the most knowledgeable, brilliant, and intellectually savvy person on the planet.
EMI is a proven leader in the emerging digital music landscape and one of the world's largest and most respected music companies.
It seems when the madness sets in the mix of wealth and seductiveness, it's never the first generation that acquired the wealth; they had to be quite savvy. That savvy-ness probably meant you were some sort of alpha person. That alpha stuff in the later generations, you still have the intelligence, but it tends to manifest itself in bipolar disorders and inestimable amounts of depression.
When you write and make music, there's a tendency to save stuff... to be cagey, to be savvy.
I'm definitely the most tech-savvy in my family. My wife wouldn't have a clue, as far as getting the computer working. All of my kids, it's amazing. Like everybody's kids, they're more savvy than I am, probably.
I love vinyl, but I'm not a 'vinyl person'. I still collect, but most of my stuff is digital.
I think it's my job to like any character I play - to understand and appreciate a character, to look at the world as much as possible from their point of view. I don't look at it just technically: learn the lines, figure out what gestures I want to bring and play, and that's it. I like to learn as much as I can about the person, and see what happens.
I already have success. I had it a long time ago. It's nothing to do with my music. Music is secondary, at this point. The good stuff is really good, but I have success because I'm at peace and I'm a good person in my everyday life and that's important.
I don't take myself that seriously when it comes down to that stuff. My drummer is my favorite drummer in the world, and he also happens to be the funniest person you'll meet. He's a constant reminder every time stuff gets a little too heavy, maybe I have a bad show or I'll hit a horrible note on some recorded TV thing or something, and he's like, "Man don't take yourself so seriously - this is a joke, we're playing music." And that's a great thing to keep me grounded at all times. We're not saving lives, but the power does help us.
I don't do anything digital. Everything is analog, and that's a limitation for me. However, in my world, it's not a limitation at all because I don't create the type of music that would generally be created by musicians that work with digital recording studios, and/or digital equipment, as far as production is concerned.
There's some ambient music that doesn't do anything. I wouldn't say that that's narrative. It is narrative in that it creates a sort of world where nothing happens, where really nothing happens, so you become a different person after hearing eight minutes of exactly the same thing. Yes, I hear music all the time in which one idea is strung together to another idea, and I feel that such music is non-narrative.
I got a reputation for being 'eclectic' or some damn thing like that, but to me, the different kinds of music I play are all the same stuff - good time music - and it is the only stuff I can do.
The producing thing has come quite naturally to me. I feel like for directing, I would like to be more technically-savvy. I want to have the language under my belt, and I also want it to be a project that is very personal to me, for my first one.
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