A Quote by Conor Oberst
I think that hip-hop is more of an individual effort. That means you're an artist from the streets, they expect you to rap about the streets, because that's what happens there.
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I think when people say 'real hip-hop,' they want it more buried in the streets. They want it more connected to the streets and the grime and the roughness of the streets. They don't want the fluff.
In this time, we incorporate money and media, and it's split up like apartheid, where when you say "hip-hop," you think just rap records. People might have forgot about all the other elements in hip-hop. Now we're back out there again, trying to get people back to the fifth element, the knowledge. To know to respect the whole culture, especially to you radio stations that claim to be hip-hop and you're not, because if you was a hip-hop radio station, why do you just play one aspect of hip-hop and rap, which is gangsta rap?
To me, that's the biggest problem with hip-hop today is the fact that everyone believes that all of hip-hop is rap music, and that, when you say "hip-hop," it's synonymous with rap. That when you say "hip-hop," you should be thinking about breakdancing, graffiti art, or MCing - which is the proper name for rap - DJing, beat-boxing, language, fashion, knowledge, trade. You should be thinking about a culture when you say, "hip-hop.".
Skateboarding is a part of Hip-Hop culture. I think it's the fifth element of Hip-Hop - emceeing, deejaying, b-boying, graffiti, and skateboarding. Skateboarders live and die on the streets. It's expression - it's everything that Hip-Hop is.
I think that hip-hop should be spelled with a capital "H," and as one word. It's the name of the culture, and it's the name of the identity and consciousness. I think hip-hop is not a product, but a culture. I think rap is a product, but when hip-hop becomes a product, that's slavery, because you're talking about people's souls.
I see N.Y. hip-hop like I see N.Y. streets. N.Y. streets are grimy; it's a grind. N.Y. rappers are hustlers - whatever sound is in, we can adapt to that; there's nothing wrong with that.
This is where hip-hop has become so doomed lately, in this confusion that rappers are street guys. You are not street guys. Get out of that mentality. It's killing hip hop creatively, and it's killing morally. I just think it's a disaster. You're not in the streets and do not be confused about that. You're in legitimate businesses.
My childhood is streets upon streets upon streets upon streets. Streets to define you and streets to confine you, with no sign of motorway, freeway or highway.
I really like hip-hop and rap; that's my main influence. I really wanna be more of a hip-hop artist.
Jazz came from the streets, hip-hop came from the streets. It's just a different language. It's all borne out of hard times, struggle, and the fight to have equality and things be better.
I think that hip-hop should be spelled with a capital "H," and as one word. It's the name of our black people culture, and it's the name of our identity and consciousness. I think hip-hop is not a product, but a culture. I think rap is a product, but when hip-hop becomes a product, that's slavery, because you're talking about people's souls. To me, that's the biggest problem.
Hip-hop is my girlfriend, hip-hop is my kid. Hip-Hop fills the void of the things that I don't have. I pay it 101% attention. I don't think I could be as good a father, or as good a husband or anything like that - the way I am as an artist - until I'm not an artist anymore.
Quentin Tarantino is a hip-hop artist. I told him, "You're hip-hop!" You keep seeing surprises, and a clip here and there, because Quentin is hip-hop. A hip-hop artist will drop a single, leak something over here, and drop something over there 'cause he knows it's hot. He's on the spot with the way he does things.
Quentin Tarantino is a hip-hop artist. I told him, 'You're hip-hop!' You keep seeing surprises, and a clip here and there, because Quentin is hip-hop. A hip-hop artist will drop a single, leak something over here, and drop something over there 'cause he knows it's hot. He's on the spot with the way he does things.
Hip-hop ain't died because of the South, that's retarded. When I named the album originally, I thought I bit off more than I could chew but you'd be an idiot to think I'm talking about how the South killed hip-hop or how New York isn't where it should be or where it once was. It was like, "Damn, I need to explain this?" But I thought, "Nah, the proof is right there. We should know what it is." I expect the hip-hop audience to be avant garde. I want them to be where I'm at or beyond where I'm at.
Hip-hop is the streets. Hip-hop is a couple of elements that it comes from back in the days... that feel of music with urgency that speaks to you. It speaks to your livelihood and it's not compromised. It's blunt. It's raw, straight off the street - from the beat to the voice to the words.
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