A Quote by Conor Oberst
A kid that picks up a record, he doesn't need to know anything other than the music and have it in his or her headphones. They're getting ideas directly, it's like someone whispering in their ear. That's such a personal way to receive information.
Related Quotes
If you're good, and you know you're good, and you know you're better than those people getting paid to do it, you still have to have an open ear….Nobody's music is the enemy of your music…The idea that someone else has made it when they shouldn't have made it is toxic thinking.
It is now well established that the Constitution protects the right to receive information and ideas. ... This right to receive information and ideas, regardless of their social worth, ... is fundamental to our free society.
When I work on someone else's record, I'm happy to alter the way I approach it, if I happen to like who they are and I'm interested in their music. But I know it's their record.
I don't know exactly where ideas come from, but when I'm working well ideas just appear. I've heard other people say similar things - so it's one of the ways I know there's help and guidance out there. It's just a matter of our figuring out how to receive the ideas or information that are waiting to be heard.
She curled up and pressed her cheek against his chest. Her ear was right above his heart. She was listening to his thoughts. "I need to know this," Aomame said. "That we're in the same world, seeing the same things.
I believe that cinema picks up ideas from society and not the other way round.
Music is a universal language insofar as you don't need to know anything else about a musician that you are playing with other than that they can play music. It doesn't matter what their music is, you can find something that you can play together, with what their culture is. The dialect part of it comes into play, but nothing like the differentiation that language sets up, for example.
Rumour is information distilled so finely that it can filter through anything. It does not need doors and windows -- sometimes it does not need people. It can exist free and wild, running from ear to ear without ever touching lips.
I used to play my records aloud until one night my mother was like, "This is too loud. I'm not having it," and so I put on headphones. But the headphones didn't stretch all the way to my bed from the record player, so I had to sleep on the floor in order to hear the records. I slept on the floor right next to the record player until I was probably 19 years old.
I don't feel the need to do anything other than what I've been doing, beating my opponents, getting some knockouts, keeping the fans coming. I don't need to do anything other than that.
Death stands above me, whispering low I know not what into my ear; Of his strange language all I know Is, there is not a word of fear.
She writhed between him and the door and he moved his mouth to her ear, whispering hoarsely, "Abbie, I'm going to take you to that bed and make love to you like you never imagined you'd be made love to again.
The one constant in this ever changing music business is the heartfelt and “ear to the ground” Indie Record Stores that avid music fans and artists alike know they can count on to keep music thriving locally. I tour all over the world, and it's these Indie Record Stores that many times make or break a market. People will always want an “album” to hold, not just have downloaded, and Indies fill that need and then some.
Man's abiding happiness is not in getting anything but in giving himself up to what is greater than himself, to ideas which are larger than his individual life, the idea of his country, of humanity, of God.
The phrase "It's absolutely the same with me, I..." seems to be an approving echo, a way of continuing the other's thought, but that is an illusion: in reality it is a brute revolt against a brutal violence, an effort to free our own ear from bondage and to occupy the enemy's ear by force. Because all of man's life among his kind is nothing other than a battle to seize the ear of others.
This is new for me. I'm learning how to have a realtionship with someone other than Ashton. I made a horrible mistake. It was like a relapse. But you," I reached up and tucked the tear dampened hair that had worked its way loose behind her ear. "You touch a place inside of me that Ashton never did. I feel things with you I never felt for her. I loved her for a very long time. I can't help the fact I still want to be there if she needs me. Next time there is a choice to make it will be you I choose first. I can promise you that.
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