A Quote by Conor Oberst

I would prefer to be a little nervous, because when you stop being nervous is kind of when you stop caring. — © Conor Oberst
I would prefer to be a little nervous, because when you stop being nervous is kind of when you stop caring.
When you stop being nervous is when you should retire. I'm always a little nervous for anything I do because when complacency sets in, that's when I feel it's time to move on to something else.
The first day of shooting came, and of course I was nervous. I would lie if I said I wasn't impressed. I mean, Lars von Trier hiring me to be the king in 'Medea'... Lars said, 'Stop! Stop!' And I was so nervous, I turned around and said, 'What is it?' He said, '... Just be a tired king.'
I never stop getting nervous. I'm nervous before every single show.
There's a certain thing when you start getting into your late thirties or early forties where you stop caring. Not to the extent where you stop caring about the music, you just stop caring about what anyone thinks of you, and you just kind of let it go - let the chips fall where they may.
I remember the days of auditioning and being nervous and so I really didn't want to make people have to jump through hoops to do auditions and be nervous and make them more nervous. I kind of wanted to hire everybody and find something for everybody.
I suffer from stage fright, so I blabber on stage and stop midway through my performances. I cannot even write a cheque, as it makes me nervous. Being around people makes me nervous. But I'm very comfortable in front of the camera, and this I realised many films later.
I get a bit nervous because I just want the show to go well. I think you always have to be a little bit nervous, or else you're a little checked-out, and that's maybe the time when you're not doing your best stuff, because you're kind of just checked-out and falling back on stuff.
I'm a nervous sharer. I'm nervous to share things in their unfinished state just because, I mean, it's kind of embarrassing. You know what it could be, but you can't explain what it's going to be.
My most annoying habit is laughing all the time. I can't stop giggling. I do it because I'm nervous.
I get so nervous on stage I can't help but talk. I try. I try telling my brain: stop sending words to the mouth. But I get nervous and turn into my grandma. Behind the eyes it's pure fear. I find it difficult to believe I'm going to be able to deliver.
I know when things are going to get me a little nervous, because nervous to me feels good.
The uneven bars make me especially nervous because when you stop training, you lose sense of where the bar is going to be.
We are a feelingless people. If we could really feel, the pain would be so great that we would stop all the suffering. If we could feel that one person every six seconds dies of starvation ... we would stop it. ... If we could really feel it in the bowels, the groin, in the throat, in the breast, we would go into the streets and stop the war, stop slavery, stop the prisons, stop the killing, stop destruction.
I am still nervous every show. Not in the "Wow, I'm scared, I can't go on nervous," but the "I really want to do a good job and the give the audience a great show" kind of nervous. Oh, yes, the nerves are there, but I let them push me instead of holding me back.
In many shamanic societies, if you came to a medicine person complaining of being disheartened, dispirited, or depressed, they would ask one of four questions: 'When did you stop dancing? When did you stop singing? When did you stop being enchanted by stories? When did you stop being comforted by the sweet territory of silence?'
I was nervous about a Corbyn government, although I would have supported it because a lot of the policies were good. I was far more nervous of a Conservative government but here it is, we've just got to deal with it.
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