A Quote by Conor Oberst

Let the poets cry themselves to sleep, and all their tearful words will turn back into steam. — © Conor Oberst
Let the poets cry themselves to sleep, and all their tearful words will turn back into steam.
And I never thought this life was possible,You're the yellow bird that I've been waiting for. In polaroids you were dressed in women's clothes Were you made ashamed, why'd you lock them in a drawer? Well, I don't think that I ever loved you more Well let the poets cry themselves to sleep And all their tearful words will turn back into steam The sound of loneliness makes me happier.
Who will cry for the little boy, lost and all alone? Who will cry for the little boy, abandoned without his own? Who will cry for the little boy? He cried himself to sleep. Who will cry for the little boy? He never had for keeps. Who will cry for the little boy? He walked the burning sand. Who will cry for the little boy? The boy inside the man. Who will cry for the little boy? Who knows well hurt and pain. Who will cry for the little boy? He died and died again. Who will cry for the little boy? A good boy he tried to be. Who will cry for the little boy, who cries inside of me?
The poets are supposed to liberate the words – not chain them in phrases. Who told the poets they were supposed to think? Poets are meant to sing and to make words sing. Writers don't own their words. Since when do words belong to anybody? 'Your very own words,' indeed! And who are you?
Last night you left me and slept your own deep sleep. Tonight you turn and turn. I say, 'You and I will be together till the Universe dissolves.' You mumble back things you thought of when you were drunk.
Along with enough sleep and taking proper supplements, I steam - in my steam shower. I find it's very healing, more than just your typical 'tea and honey.'
They are deceived who flatter themselves that the ignorant and debased slave has no conception of the magnitude of his wrongs. They are deceived who imagine that he arises from his knees with back lacerated and bleeding, cherishing only a spirit of meekness and forgiveness. A day may come - it will, if his prayer is heard. A terrible day of vengeance when the master in his turn will cry in vain for mercy.
While pensive poets painful vigils keep, Sleepless themselves, to give their readers sleep.
Kids use words in ways that release hidden meanings, revel the history buried in sounds. They haven't forgotten that words can be more than signs, that words have magic, the power to be things, to point to themselves and materialize. With their back-formations, archaisms, their tendency to play the music in words--rhythm, rhyme, alliteration, repetition--children peel the skin from language. Words become incantatory. Open Sesame. Abracadabra. Perhaps a child will remember the word and will bring the walls tumbling down.
Poets play with words to keep themselves sane
Go back, go back to sleep. Yes, you are allowed. You who have no Love in your heart, you can go back to sleep. The power of Love is exclusive to us, you can go back to sleep. I have been burnt by the fire of Love. You who have no such yearning in your heart, go back to sleep. The path of Love, has seventy-two folds and countless facets. Your love and religion is all about deceit, control and hypocrisy, go back to sleep. I have torn to pieces my robe of speech, and have let go of the desire to converse. You who are not naked yet, you can go back to sleep.
God's creatures who cried themselves to sleep stirred to cry again.
I love to cry. It's such a great release. If I'm just tired - jetlagged, I didn't get any sleep, I want to cry. I think it's important to cry.
Every device there is in language is there to be used, if you will. Poets have got to enjoy themselves sometimes, and the twistings and convolutions of words, the inventions and contrivances, are all part of the joy that is part of the painful, voluntary work.
In the world of poetry there are would-be poets, workshop poets, promising poets, lovesick poets, university poets, and a few real poets.
I have had my fill of words and tearful farewells.
Words are delicate instruments: How to use them so that, after having read the poem, the taste remaining is not of the words themselves, but of a thought, a situation, a parallel reality? If not used appropriately, words in poetry are like the ugly remains of food after eating. What I mean is that readers will reject words if they don't serve to shift attention from themselves to somewhere else.
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