A Quote by Conor Oberst

It's dangerous to buy into praise and criticism for what you do when you're trying to present your music to people. I don't ignore it completely, but I don't dwell on it too much.
Never let too much criticism or too much praise get in your way.
For a while now, I try to ignore the hoopla, because if you buy into that, you have to buy into the criticism. All you can do is put your work out there and move on; you just never know what will come.
The way we respond to criticism pretty much depends on the way we respond to praise. If praise humbles us, then criticism will build us up. But if praise inflates us, then criticism will crush us; and both responses lead to our defeat.
The people that buy music might not be able to afford to buy music. It might not even be a situation where people don't want to buy your stuff. It might be a situation where they can't afford to buy it because food prices are too high. I can respect that.
People who thought that she was busy going around trying to stir up difficulty where there was none or less than she imagined, were quite critical of her. She was, we must never forget, a public figure. And in democracies, public figures tend to attract criticism as well as praise. The most dangerous thing would be if anybody were regarded as above criticism. And Eleanor Roosevelt is, in recent years, getting there.
A happy man is too satisfied with the present to dwell too much on the future.
I'm trying to just drop so much music that people cannot ignore it.
I've been accused of being a little pedantic here and there, but I don't buy that criticism. I'm telling it like I see it. You don't have to buy it. You don't have to like it. You don't have to listen to it at all. I'm not trying to convince people of things, other than the fact that I'm trying to make as vivid as I can my own feelings and experiences.
We finally need to pass a prohibition on anyone who's on the terrorist watch list from being able to buy a gun in America. If you're too dangerous to fly, you are too dangerous to buy a gun.
I'm always very careful to make the distinction between music criticism and music journalism. A lot of people don't. But criticism doesn't require reporting. You can write criticism at home in your underwear. On the other hand, journalism takes legwork - you have to get out there and see things and talk to people.
That's why you put out records: hoping that people will connect with them. I mean, I play music for myself, for sure, and I would still play music even if people didn't like it. But it means a lot when it connects to people and they enjoy it. But it's funny: you get criticism as much as you get praise. It kind of evens out after awhile.
You dwell too much on the past, you forget that you've got to take care of the present.
The important thing to me is that I'm not driven by people's praise and I'm not slowed down by people's criticism. I'm just trying to work at the highest level I can.
Criticism can never instruct or benefit you. Its chief effect is that of a telegram with dubious news. Praise leaves no glow behind, for it is a writer's habit to remember nothing good of himself. I have usually forgotten those who have admired my work, and seldom anyone who disliked it. Obviously, this is because praise is never enough and censure always too much.
Hollywood dishes out too much praise for small things I won't let it get me, but too much praise can turn a fellow's head if he doesn't watch his step.
If you're too dangerous to buy an airplane ticket, you're too dangerous to buy an assault weapon. And, when we talk about the Second Amendment - I support the Second Amendment - but the Second Amendment was created and designed to prevent tyranny and not to encourage terror.
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