A Quote by Conor Oberst
So much of listening to lyrically driven music is projecting your own feelings and experiences into the music.
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As a songwriter, you tend to develop your own style, your own technique, based around what it is you're trying to write and perform, in terms of your own music. So a way of evolving a guitar style as a songwriter is much easier, I think, than developing a true style of your own just from listening to music or playing other people's music.
Christian music was music that I grew up listening to that I can't say has had much of an impact on anything I have done in my adult life. Maybe Christianity has, but certainly not the bullshit Christian music I was listening to when I was 12. To me there's not much substance in that music. I don't have a message or anything.
When you're talking about your own music every day, listening to bands, going to festivals, you can kind of lose sight of your initial connection with music. Instrumental music - especially jazz - helps me refocus.
Life is like music for its own sake. We are living in an eternal now, and when we listen to music we are not listening to the past, we are not listening to the future, we are listening to an expanded present.
Empathic listening is so powerful because it gives you accurate data to work with. Instead of projecting your own autobiography and assuming thoughts, feelings, motives and interpretation, you're dealing with the reality inside another person's head and heart. You're listening to understand. You're focused on receiving the deep communication of another human soul.
Music is my passion. I've always been musically driven and musically inclined. I play the keyboard a little bit. I love listening to music and discovering music. That's my love, but I'm not a rapper at all.
Technology has made it much easier to make and manipulate music. Studio-driven, machine-driven music does not always transcend into being a good live act. Many current acts are great live, but many cannot cut it live. The music is not organic.
The problem with listening to music today is that there's so much of it everywhere. We've got used to hearing music without actually listening to it.
The thing with music education is that it is good at teaching technique, but not texture. You only learn about that from listening to music and experimenting on your own.
For some music, lyrically, the best move is to keep it simple in what it is that you are saying, and just kind of come across in your rhythm and the way that you lock in on the music.
When we talk about music, we tend to place our experiences into one of two categories: making the music and listening to it. Delineating the two seems practical and obvious. In reality, though, there are a lot of opportunities for overlap, and it doesn't matter how you get into the music as long as you connect with it.
I have really diverse tastes, which can be problematic sometimes, but it's good because it means I'm always listening to as much music as possible. I love listening to music, whatever genre it is.
But I feel like I developed my own love for hip-hop and rap music by myself. Just growing up and hearing new things. As you grow up, you begin to listen to new music that this kid is listening to, then you begin to like your own music, and start discovering it yourself.
The only music I was listening to for ages was old soul. So I wasn't listening to a lot of new music - especially indie music.
The main difference between listening to music on a computer and listening to music on vinyl or disc is not sound quality or even portability; it's that when you listen to music on a computer, you listen to music on the same instrument you use to acquire it.
I feel I have to play a role in the transformation of my thoughts. Music is the most powerful way for me to do that, through my own music, through listening to other people's music.
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