A Quote by Conrad Aiken

Poetry will absorb and transmute, as it always has done, and glorify, all that we can know. — © Conrad Aiken
Poetry will absorb and transmute, as it always has done, and glorify, all that we can know.
As poetry is the highest speech of man, it can not only accept and contain, but in the end express best everything in the world, or in himself, that he discovers. It will absorb and transmute, as it always has done, and glorify, all that we can know. This has always been, and always will be, poetry's office.
One good way to start writing poetry is to read all kinds of poetry: not just in order to imitate but to fill up your head with it, to absorb it, to make poetry an essential part of how you view the world.
I think the culture can absorb so many people writing poetry and trying to earn their living in poetry.
Christianity has always had sort of an ability to absorb the developments in science. But, it's always done it very slowly.
The Scotch catechism says that man's chief end is 'to glorify God and enjoy Him forever.' But we shall then know that these are the same thing. Fully to enjoy is to glorify. In commanding us to glorify Him, God is inviting us to enjoy Him.
I don't mind the homosexuality. I understand it. Nevertheless, goddamn, I don't think you glorify it on public television, homosexuality, even more than you glorify whores. We all know we have weaknesses. But, goddammit, what do you think that does to kids? You know what happened to the Greeks! Homosexuality destroyed them. Sure, Aristotle was a homo. We all know that. So was Socrates.
It is the great work of nature to transmute sunlight into life. So it is the great end of Christian living to transmute the light of truth into the fruits of holy living.
I absorb energy, I absorb the good, the bad, I absorb everything. That's what makes me who I am.
I don't think I ever had a morning where I woke up and said I'm going to be a professional poet. I know I've always loved poetry, I've always loved writing poetry and I've always loved sharing poetry. I've also always known that I wanted that to somehow be a very large part of my life and I'm very fortunate that it's such a large part of my life.
I don't know how I absorb things, but I do. I just absorb them. I don't over read the script, and I don't really ever spend much time learning it.
You will always go into that tent. You will see her scar and wonder where she got it. You will always be amazed at how one woman can have so much black hair. You will always fall in love, and it will always be like having your throat cut, just that fast. You will always run away with her. You will always lose her. You will always be a fool. You will always be dead, in a city of ice, snow falling into your ear. You have already done all of this and will do it again.
I began my writing life as a poet, so poetry has always been fundamental. I evolved from poetry to journalism to stories to novels. But poetry was always there.
Poetry's always dead, you know? You don't realize how good poetry is until 15 years later.
It isn't possible to love and part. You will wish that it was. You can transmute love, ignore it, muddle it, but you can never pull it out of you. I know by experience that the poets are right: love is eternal.
Really exotic methods of propulsion . . . will have to be devised to get there. How it will be done, I do not know. Whether it will be done, I am not quite certain. But I would bet it can be done.
I was an executive producer. I've done a lot of jobs and I think each one helps you get closer to what you want as a director. It also helps you - when you work with different filmmakers - to absorb, to adapt, to know what to watch out for, to know pitfalls.
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