A Quote by Conrad Aiken

I always hankered to be a composer - I was mad about music, though I never studied seriously, and can't read a note. But I learned to play the piano and became pretty skillful at improvisation, especially after a drop or two.
I started piano lessons at age six but didn't take music seriously until I was a teenager, when I thought about a career in music. I studied classical music, and my instruments were guitar and piano. I played keyboards in bands, and after high school I went to Vienna to study at the Academy of Music. I also became a session player, which culminated in my work with Tangerine Dream.
I just remember music always being a part of my life. I was never like, "I'm gonna be a rock star," or "I'm gonna be in a band." It was more "I just play piano, and I'm always going to play piano. That's who I am and that's cool." I think music became so ingrained in me that it was not even my choice.
Jazz is all about improvisation and it's about the moment in time, doing it this way now, and you'll never do it this way twice. I've studied the masters. Why would I want to play ball after the guys who sit on a bench? I want to play like Michael Jordan.
I studied piano from the age of three. My grandmother taught piano. I stayed at her house during the day while my parents worked. I obviously wanted to learn to play. And so she asked if she could teach me, and my mother said don't you think she's too young. My grandmother apparently said no. So I could read music before I could read, and I really don't remember learning to read music. So for me it's like a native language. When I look at a sheet of music, it just makes sense.
I'm not a musician, I can't read music, but I came from a family of music fans. Not mad music fans, but people who like music. Both of my parents can play the piano. They were very good dancers, which I am not.
The only thing I could do was play music, because I'd studied classical guitar, trumpet and piano at the American School in Alexandria. So I started out with two other boys in little clubs in Athens. I became a singer by default when our lead vocalist was late one night. Someone had to sing.
After I found out that I was playing music and that I'd have to learn how to read and write music, I started doing that about two years later. Finally, I said, "Oh, that means what I really want to do is to be a composer." But when I was coming up in Texas, there was segregation. There was no schools to go to. I taught myself how to read and how to start writing.
I've certainly stayed a marginal figure, though I became a member of the "surveillance committee" fairly early on. I can actually live pretty well with this, because I'm allowed to work in peace - except when I have to give strings of interviews... And also, I've never sought a position of power in the music business. I became a teacher not so as to found a Kagel School, but to transmit knowledge. My work as a composer should be the only yardstick by which my contribution can be measured.
It's really hard to teach me anything. I can't read music. I never learned how to read music. I read books about things and try to learn - I don't like to learn from anybody. Later on I would, once I'd get the hang of things. Like I ride horses, I'm good at that, Western riding. I learned all about it reading and studying. I'm always learning about horses, I like that.
As a kid, I took piano lessons, and I didn't like it. It wasn't cool. I was into Duran Duran and rock music. I didn't have any interest in piano. I did it for three years, and because of piano, I learned percussion. I learned scales. I learned how to sing. Piano gives you all of the basics of those things.
Music is my natural language. I have always had a form of dyslexia. I never studied music formally, so emotions come directly from the source into song mode. As a composer, it may be fortuitous. What I feel is what you get.
Improvisation was the blood and bone of jazz, and in the classic, New Orleans jazz it was collective improvisation in which each performer, seemingly going his own melodic way, played in harmony, dissonance, or counterpoint with the improvisations of his colleagues. Quite unlike ragtime, which was written down in many cases by its composers and could be repeated note for note (if not expression for expression) by others, jazz was a performer's not a composer's art.
I've forgotten a lot of things. I've forgotten how to play the piano and how to speak Arabic, though I studied it for two years.
As a young composer I had a particular fondness for Liszt's Beethoven Symphony arrangements for the piano, and to this day I enjoy playing non-piano music at the piano.
I sometimes write songs on the piano, even though I don't actually play the piano. I always hire someone to play for me whenever I decide to sing a song I have written on the piano. My song 'Rosa' is one.
I can play the piano. I started off with lessons, and then, as we always had a piano in the house, I would play around and became quite good.
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