A Quote by Conrad Anker

It takes a lot of resources to climb Everest, and a lot of other people. But you should go do it. — © Conrad Anker
It takes a lot of resources to climb Everest, and a lot of other people. But you should go do it.
To me, the fundamental thing - well, I guess I see a lot of people debating in the wrong way. A lot of the debate is, should we go to the coasts, should we go to the center, should we go to the left, should we go to the right?
I have climbed Everest from the Nepal route and the China route. The other routes are too hard for me. So I don't think I can climb Everest again.
To get ready to climb Everest, I did a lot of hill running with a daypack on and a lot of underwater swimming. I would swim a couple of lengths underwater and then a couple above. It gets your body going with limited oxygen.
The answer is that I do want to climb Everest, but I don't want to go to Everest. I don't want to be cold. I can't take the time. It's just not practical.
A lot of the time I hate the theater. You think, 'I have to climb Mount Everest, again, tonight.' Oh, the theater is a scary place to be.
I used to climb mountains a lot; I decided to go to Pakistan to climb K2, the world's second-highest mountain. I didn't get quite to the top.
I'd rather climb Everest than go for a walk in the park.
There is such a gauntlet of risk that you go through when you climb up to Everest.
Resources on the planet are limited, and limited resources can come to an end. But there are also a lot of resources that are renewable. A lot of land, for example, can be reclaimed from the encroaching deserts.
I don't go out at all. I have my three restaurants that I go to, and that's it. I spend the least possibly time here on-site because that takes energy away as well. There is a lot of people, you know. It's massive kind of stadium, a lot of players.
We will work on ways to digitally enhance Everest, matching it with Dolomites and Everest, but I'll do everything physically first. If there's no other way, then I'll go to CGI.
I'm pretty busy in my life and I'm very aware of what it takes to direct a movie. It takes a lot out of you; it takes a lot out of the rest of your life, from other people in your life. I don't lie around hungering for that consumption very often.
Why climb? That's a question that baffles me. It perplexes me. I really asked that a lot on Everest. I can't justify it. I can't say it's for a good cause. All I can say is look at the history of exploration: it's full of vainglorious pursuits.
When push comes to shove, I'm a fighter, and I'm going to force someone to fight. It takes a lot of technique, it takes a lot of skill, but to take that, and make something of it, it's a lot of heart and a lot of determination, and that's something I have. That's who I am.
To maintain a consistency when people come to see the band takes a lot of work; it takes a lot of discipline. I go to the studio every day and sing and play. I never did that when I was, like, 30. I'd probably have a drink and walk on - and see what comes out. But now if there's ten albums' worth of material people are coming to hear some of, and they've paid money for a ticket, you become a different person when you go on and you want to give the best show you can. You want to be better at what you do.
Everest has a special place in all of our imaginations. For centuries, Everest was a little bit like the moon. It was the place where everyone wanted to go. Empires wanted to be able to say that they were the first to put a climber on top of Everest. So when a tragedy happens up on that mountain, I think it has a global resonance. Everybody's heard of Everest. Everybody knows what Everest is and what it means, and the significance.
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