A Quote by Constantin Brancusi
In art, one does not aim for simplicity; one achieves it unintentionally as one gets closer to the real meaning of things.
Related Quotes
Simplicity is not an objective in art, but one achieves simplicity despite one's self by entering into the real sense of things.
Simplicity is not a goal, but one arrives at simplicity in spite of oneself, as one approaches the real meaning of things.
The theology of the hammer embraces wholeheartedly the idea that the love of God and love of man must be blended. The word and the deed must come together. One without the other is devoid of meaning … As the deed gets closer to the word, God gets closer to us. The results are always wonderful — and sometimes spectacular!
Many young people today do not concern themselves with style. They think that what one says should be said simply and that is all. For me, style - which does not exclude simplicity, quite the opposite - is above all a way of saying three or four things in one. There is the simple sentence, with its immediate meaning, and then at the same time, below this immediate meaning, other meanings are organized. If one is not capable of giving language this plurality of meaning, then it is not worth the trouble to write.
The art of art, the glory of expression, is simplicity. Nothing is better than simplicity, and the sunlight of letters is simplicity. Nothing is better than simplicity-nothing can make up for excess, or for the lack of definiteness.
The real meaning of things lies deep down and the real meaning of things is always beautiful because it is simply love.
Art too is just a way of living, and however one lives, one can, without knowing, prepare for it; in everything real one is closer to it, more its neighbor, than in the unreal half-artistic professions, which, while they pretend to be close to art, in practice deny and attack the existence of all art - as, for example, all of journalism does and almost all criticism and three quarters of what is called (and wants to be called) literature.
The aim of science is not things themselves, as the dogmatists in their simplicity imagine, but the relation between things.
As it gets closer and more probable, being a star is really losing its meaning.
It is not that things give meaning to words; it is that meaning makes things "things." It does not make things in their subsistence; but it does make things in their discreteness for the understanding.
Art achieves all little things by absolute truth: but all her great things need some admixture of illusion.
In winter, the stars seem to have rekindled their fires, the moon achieves a fuller triumph, and the heavens wear a look of a more exalted simplicity. Summer is more wooing and seductive, more versatile and human, appeals to the affections and the sentiments, and fosters inquiry and the art impulse.
Everything on my body has a meaning. I don't do art just because. It does look cool but it also has a meaning.
As you know, shibumi has to do with great refinement underlying commonplace appearances. It is a statement so correct that it does not have to be bold, so poignant it does not have to be pretty, so true it does not have to be real. Shibumi is understanding, rather than knowledge. Eloquent silence. In demeanor, it is modesty without pudency. In art, where the spirit of shibumi takes the form of sabi, it is elegant simplicity, articulate brevity. In philosophy, where shibumi emerges as wabi, it is spiritual tranquility that is not passive; it is being without the angst of becoming.
The closer one gets to either the eastern or the southern fringe of the German-speaking world-the closer one gets, in other words, to the threatening and more numerous Slavs-the more insecure and dangerous nationalism becomes.
Art does the same things dreams do. We have a hunger for dreams and art fulfills that hunger. So much of real life is a disappointment. That's why we have art.
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