A Quote by Constantin Brancusi
They are imbeciles who call my work abstract. That which they call abstract is the most realistic, because what is real is not the exterior but the idea, the essence of things.
Related Quotes
...That which they call abstract is the most realistic, because what is real is not the exterior but the idea, the essence of things.
All paintings start out of a mood, out of a relationship with things or people, out of a complete visual impression. To call this expression abstract seems to me often to confuse the issue. Abstract means literally to draw from or separate. In this sense every artist is abstract . . . a realistic or non-objective approach makes no difference. The result is what counts.
A man's knowledge may be said to be mature, in other words, when it has reached the most complete state of perfection to which he, as an individual, is capable of bringing it, when an exact correspondence is established between the whole of his abstract ideas and the things he has actually perceived for himself. His will mean that each of his abstract ideas rests, directly or indirectly, upon a basis of observation, which alone endows it with any real value; and also that he is able to place every observation he makes under the right abstract idea which belongs to it.
To abstract is to draw out the essence of a matter. To abstract in art is to separate certain fundamentals from irrelevant material which surrounds them.
Abstract means literally to draw from or separate. In this sense every artist is abstract for he must create his own work from his visual impressions. A realistic or non-objective approach makes no difference. The result is what counts.
If you seek just a little truth, as most, you should not ignore abstract forms, the basis from which all short-lived experiences we call reality springs.
One of the things I like about music is it's an abstract art, totally abstract, where you can convey an emotion, which I find amazing.
You are frightened of everything. You call it caution. You call it common sense. You call it practicality. You call it playing the odds, but that's only because you're afraid to call it by its real name, and its real name is fear.
I can never fathom it when people say things like "I can't understand abstract art!" Or: "Abstract art is junk!" Or: "Abstract art isn't as valid as realism!"
The Human subject is the most important thing. My work is abstract in the sense of having been designed and composed, but it is not abstract in the sense of having no human content I want to communicate. I want the idea to strike right away.
You can call it tathata, suchness. 'Suchness' is a Buddhist way of expressing that there is something in you which always remains in its intrinsic nature, never changing. It always remains in its selfsame essence, eternally so. That is your real nature. That which changes is not you, that is mind. That which does not change in you is buddha-mind. You can call it no-mind, you can call it samadhi, satori. It depends upon you; you can give it whatsoever name you want. You can call it christ-consciousness.
A lot of my work is about what's abstract and what's pictorial. Is it bubblegum, or is it an abstract painting using bubblegum? The energy comes from walking that line and watching things dip this way and that.
I was an abstract expressionist before I had seen any abstract expressionist paintings. I started when I was a kid and continued just doing abstract stuff all through high school.
I have this very abstract idea in my head. I wouldn't even want to call it stand-up, because stand-up conjures in one's mind a comedian with a microphone standing onstage under a spotlight telling jokes to an audience. The direction I'm going in is eventually, you won't know if it's a joke or not.
There is no such thing as abstract art, or else all art is abstract, which amounts to the same thing. Abstract art no more exists than does curved art yellow art or green art.
In our work, we are always between Scylla and Charybdis; we may fail to abstract enough, and miss important physics, or we may abstract too much and end up with fictitious objects in our models turning into real monsters that devour us.
Related Authors
Alberto Giacometti Quotes
Swiss
Sculptor
Alexander Calder Quotes
American
Sculptor
Auguste Rodin Quotes
French
Sculptor
Bruce Nauman Quotes
American
Sculptor
Camille Claudel Quotes
French
Sculptor
Claes Oldenburg Quotes
Swedish
Sculptor
Eva Hesse Quotes
American
Sculptor
Gutzon Borglum Quotes
American
Sculptor
Hans Arp Quotes
English
Sculptor
Henry Moore Quotes
English
Sculptor
Justin Bieber Quotes
Canadian
Sculptor
Louise Berliawsky Nevelson Quotes
American
Sculptor
Richard Serra Quotes
American
Sculptor
Ruth Asawa Quotes
American
Sculptor
Willard Wigan Quotes
English
Sculptor