A Quote by Constantin Stanislavski
Every person who is really an artist desires to create inside of himself another, deeper, more interesting life than the one that actually surrounds him.
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No one can teach, if by teaching we mean the transmission of knowledge, in any mechanical fashion, from one person to another. The most that can be done is that one person who is more knowledgeable than another can, by asking a series of questions, stimulate the other to think, and so cause him to learn for himself.
A leader is a person who must take special responsibility for what's going on inside of himself or herself ... lest the act of leadership create more harm than good.
Can't you treat yourself with a bit more consideration?' 'Why should I?' Mordion said, hugging the duvet round himself. 'Because you're a person, of course!' Ann snapped at him. 'One person ought to treat another person properly even if the person's himself!
And now, as I'm lying alone in my own bed, I keep thinking about writhing against him last night, naked and vulnerable. Even after we'd both risen and fallen, peaked and plummeted, even after Marcus was physically shrinking from inside me, I couldn't stop clutching, crying, trying. Trying to pull him deeper, deeper, deeper within. Trying to make him more a part of me than I am myself.
Andy Warhol's art wasn't that interesting to me. He was more interesting to me as a person. He was art himself. I don't even think he was really into art, per se. He may have liked to do it, but I think he was more into people being into him.
Surrender your will to Him. Unconditionally. Withhold nothing. Turn it all over to Him; all of your desires, wishes, dreams and hopes. Trust in Him. Trust Him who knows all things. Trust Him who has all power. Trust Him whose love for you is perfect. Trust Him, who alone suffered, paid, and atoned for you sins, and for your weaknesses as well. Trust Him that He will make of you immeasurably more than what you will ever, ever, in all eternity make of yourself. He will create of you a masterpiece. You will create of you only a smudge. You will create an ordinary man. He will create a God.
From this, without doubt, sprang the fable. Man created it thus, because it was not given him to see more than himself and nature, which surrounds him; but he created it true with a truth all its own.
The idea of a talent that was bigger than an artist's ability to choose to use it, that would dictate the artist's life more than the artist could dictate, was interesting to me.
The product of the artist has become less important than the fact of the artist. We wish to absorb this person. We wish to devour someone who has experienced the tragic. In our society this person is much more important than anything he might create.
Tell me, can you see beauty? Can you let it renew your commitment to life, every day? I don't want to wait for death to be near to receive the beauty in my life. I want to be awed every day by the truth-pretty or painful-and let it open me to the beauty that surrounds me and draws me deeper and deeper into my own life.
Today, journalists more than any other cohort of professionals, are responsible for the confusion that surrounds power and its criminality in contemporary society. As Janet Malcolm said in another context, 'Every journalist who is not too stupid or too full of himself to notice what is going on knows that what he does is morally indefensible.'
the novel is inherently a political instrument, regardless of its subject. It invites you - more than invites you, induces you - to live inside another person's skin. It creates empathy. And that's the antidote to bigotry. The novel doesn't just tell you about another life, which is what a newspaper would do. It makes you live another life, inhabit another perspective. And that's very important.
She showed him something no one else had ever shown him; that it was possible to love someone more than himself; that another's suffering could bring him more agony than his own; that someone's life could come before his; that's what she showed him.
Christianity set itself the goal of fulfilling man’s unattainable desires, but for that very reason ignored his attainable desires. By promising man eternal life, it deprived him of temporal life, by teaching him to trust in God’s help it took away his trust in his own powers; by giving him faith in a better life in heaven, it destroyed his faith in a better life on earth and his striving to attain such a life. Christianity gave man what his imagination desires, but for that very reason failed to give him what he really and truly desires.
The camera for an artist is just another tool. It is no more mechanical than a violin if you analyze it. Beyond the rudiments, it is up to the artist to create art, not the camera.
There are two primary ways in which mans relates himself to the world that surround him: manipulation and appreciation . In the first way he sees in what surrounds him things to be handled, forces to be managed, objects to be put to use. In the second way he sees in what surrounds him things to be acknowledged, understood, valued or admired.
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