A Quote by Constantin Stanislavski
All action in theatre must have inner justification, be logical, coherent, and real.
Related Quotes
But eternity is not temporality at a standstill. What is oppressive about the concept of the eternal is the justification, incomprehensible to us, that time must undergo in eternity and the logical conclusion of that, the justification of ourselves as we are.
The inner change, justification, is effected at the moment of salvation. The outer change in the believer's daily walk, sanctification, continues throughout life. But the progressive work of sanctification is only fully effective when the radical, inner transformation of justification is realized and appropriated by faith.
As far as I'm concerned all theatre is physical. As Aristotle says, you know, theatre is an act and an action, and he didn't mean just the writing of it, he meant that at the centre of any piece there is an action, a physical action.
If outer doors close seem to close to you, do not hesitate. Perist in inner preparations. The inner realm of thought controls all outer action. When you get the right attitude, the outer world of results and personalities must conform to it. That is the law of mind-action.
Justification and sanctification are both God's work, and while they can and must be distinguished, the Bible won't let us separate them. Both are gifts of our union with Christ, and within this double-blessing, justification is the root of sanctification and sanctification is the fruit of justification.
We cannot simply speak out against an escalation of troops in Iraq, we must act to prevent it... There can be no doubt that the Constitution gives Congress the authority to decide whether to fund military action, and Congress can demand a justification from the president for such action before it appropriates the funds to carry it out.
Direct action against the authority in the shop, direct action against the authority of the law, direct action against the invasive, meddlesome authority of our moral code, is the logical, consistent method of Anarchism. Will it not lead to a revolution? Indeed, it will. No real social change has ever come without a revolution. People are either not familiar with their history, or they have not yet learned that revolution is but thought carried into action.
If action is possible or necessary, your action will be in alignment with the whole and supported by creative intelligence, the unconditioned consciousness which in a state of inner openness you become
one with. Circumstances and people then become helpful, cooperative. Coincidences happen.
If no action is possible, you rest in the peace and inner stillness that come with surrender.
We [writers] must know that we can never escape the common misery and that our only justification, if indeed there is a justification, is to speak up, insofar as we can, for those who cannot do so.
There are two kinds of theatre, good and bad. Much as I should like to see theatre in America, I would rather have no theatre than bad theatre. What we must strive for is perfection and come as close to it as is humanly possible.
This procedure [selecting the simplest law], however, has no logical justification but only a psychological one.
I'm afraid that in the United States of America today the prevailing doctrine of justification is not justification by faith alone. It is not even justification by good works or by a combination of faith and works. The prevailing notion of justification in our culture today is justification by death. All one has to do to be received into the everlasting arms of God is to die.
If you let your mind talk you out of things that aren't logical, you're going to have a very boring life. Because grace isn't logical. Love isn't logical. Miracles aren't logical.
The inner thought coming from the heart represents the real motives and desires. These are the cause of action.
If an irreducible distinction between theatre and cinema does exist, it may be this: Theatre is confined to a logical or continuous use of space. Cinemahas access to an alogical or discontinuous use of space.
In every physical action, unless it is purely mechanical, there is concealed some inner action, some feelings. This is how the two levels of life in a part are created, the inner and the outer. They are intertwined. A common purpose brings them together and reinforces the unbreakable bond.
Related Authors
Arnold Schwarzenegger Quotes
Austrian
Actor
Benedict Cumberbatch Quotes
English
Actor
Bruce Lee Quotes
American
Actor
Clint Eastwood Quotes
American
Actor
Daniel Radcliffe Quotes
British
Actor
Dwayne Johnson Quotes
American
Actor
Jeff Bridges Quotes
American
Actor
Johnny Depp Quotes
American
Actor
Kevin Hart Quotes
American
Actor
Kevin Spacey Quotes
American
Actor
Leonardo DiCaprio Quotes
American
Actor
Rob Lowe Quotes
American
Actor
Robert Pattinson Quotes
English
Actor
Sylvester Stallone Quotes
American
Actor
Will Rogers Quotes
American
Actor
Zach Braff Quotes
American
Actor