A Quote by Constantin Stanislavski

All art is autobiographical - if it's not, it's not going to quicken on-stage, and it's not going to come alive. — © Constantin Stanislavski
All art is autobiographical - if it's not, it's not going to quicken on-stage, and it's not going to come alive.
When you go through a tunnel - you're going on a train - you go through a tunnel, the tunnel is dark, but you're still going forward. Just remember that. But if you're not going to get up on stage for one night because you're discouraged or something, then the train is going to stop. Everytime you get up on stage, if it's a long tunnel, it's going to take a lot of times of going on stage before things get bright again. You keep going on stage, you go forward. EVERY night you go on stage.
Look, anything any writer writes is going to be on some level autobiographical. Part of the funny/sad thing is that you don't always know how autobiographical you're being.
If you're going to perform, you're going to attract criticism. You can't please everyone all the time. You don't know how things are going to come out. But that's part of the fun of it, the adventure of doing any kind of art.
I would like to do something autobiographical, set to music. I don't know how I'm going to do it, but I'm going to try.
I lived through being pooh-poohed by fine art galleries, saying, "Digital is going to destroy the meaning behind photos." The motion side, the moment all of the cameras come alive with that motion, it was like a dream come true. It enables people to economically experiment with film.
We're going to have strong borders. People are going to come into the country, but they're going to come legally. We're going to keep our jobs and not let them go to Mexico.
I have little art piece, a kind of short film thing I filmed with my friend. It's going to be 20 minutes, and we're going to submit it into festivals but also going to art galleries.
I can't believe Tina Turner actually was on the same stage. I can't believe I set foot on the same stage, and it's going to be an album, people are going to buy it, and it's going to be a video.
Aging is not 'lost youth,' but a new stage of opportunity and strength. It's a different stage of life, and if you are going to pretend it's youth, you are going to miss it. You are going to miss the surprises, the possibilities, and the evolution that we are just beginning to know about because there are no role models, no guideposts, and no signs.
I think if you're an actor, then you can work on stage - but if you've never done it before, you're going to have picked up a few things that you're going to need to change when you're working on stage.
Whenever I see an opportunity and a chance to change something, I go at it and I lay out all the facts to everybody. And when I come to this space, I'm going to come with talent, I'm going to come with focus. And I'm going to do the job as competitively as the next guy.
I have a very simple point of view, which is, I'm going to be alive for some amount of time; I don't know how long that's going to be. Then I'm going to be dead for a really, really long time. Right? You need to squeeze everything you can out of this time when you're alive.
In real life we don't know what's going to happen next. So how can you be that way on a stage? Being alive to the possibility of not knowing exactly how everything is going to happen next - if you can find places to have that happen onstage, it can resonate with an experience of living.
The thing I hate most in acting is asking permission to do things. What you really want to do is say, 'This is my need; this is what's going to get me further; this is what's going to be alive. I don't ever say, 'Do you mind if...?' I just come in and do it.
Going on stage and doing ballet, for the first time, was even more verification of, "This is what I'm meant to do. This is what I'm going to do. I'm going to make it somehow."
I'm going to stay on stage until I drop dead. Then I'm going to have myself stuffed, like Trigger, and I'm going to put me in a museum.
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