A Quote by Constantine Manos

The flow of people in a setting, their changing relationships to each other and their environment, and their constantly changing expressions and movements - all combine to create dynamic situations that provide the photographer with limitless choices of when to push the button. By choosing a precise intersection between subject and time, he may transform the ordinary into the extraordinary and the real into the surreal.
By choosing a precise intersection between subject and time, he may transform the ordinary into the extraordinary and the real into the surreal.
Politics are not a science based on logic; they are the capacity of always choosing at each instant, in constantly changing situations, the least harmful, the most useful.
We forget that God's primary goal is not changing our situations or relationships so that we can be happy, but changing us through our situations and relationships so that we will be holy.
Managers are not confronted with problems that are independent of each other, but with dynamic situations that consist of complex systems of changing problems that interact with each other. I call such situations messes. Problems are extracted from messes by analysis. Managers do not solve problems, they manage messes.
I'm trying to mediate between individual agency and structural determination. I accept that people make individual choices, quite thoughtful, quite careful, quite difficult choices, but they don't make them without constraints that shape what choices are possible and provide the intensity of the push toward choosing.
The family is constantly changing, as each member changes. Some changes we recognize as developments, and the pleasure they bringusually makes us more adaptable. Some changes threaten, or disappoint other members, who may try to resist the change, or punish someone for changing.
I feel all things as dynamic events, being, changing, and interacting with each other in space and time even as I photograph them.
The thing is, if you're a designer, then you want to constantly push yourself and your designs. When we make a new collection, we're changing shapes, we're changing patterns. We get a dress on a model, and it's our first time seeing what the dress really looks like on a woman's body.
The structure of the company is constantly changing. The composition of the necessary working groups is constantly changing. We have many divisions that are based on the project principle, which means that they are put together for each project.
That's the amazing thing about our jobs; it's constantly changing, and it's extremely dynamic, and you, therefore, have to be dynamic as well.
By declaring yourself a leader, you're taking initiative and moving into a role of influence in a lively and vital network that's changing the world. We're changing the world, first by changing ourselves and then by touching the world as changed beings. We believe the change in us catalyzes change in others. So in changing the world, we're choosing to be the change we wish to see in the world. By taking on this leadership role, you are choosing to be the change too.
A civilization is complicated, in the first place, because it is dynamic; that is, it is constantly changing in the passage of time, until it has perished.
Never underestimate the power of gaining a new perspective by simply changing your immediate environment. Going for a walk, reading a book, or talking to a friend can provide you with life-changing insights that you not otherwise attain while remaining stagnant.
The reality in the neighborhood that I live in is: if I don't constantly reconcile what I have against what other people don't, either I need to leave and be around other people who have what I have, or I'm constantly engaged in this kind of dynamic flow of opportunity and sharing.
The personality and style of a photographer usually limits the type of subject with which he deals best. For example Cartier-Bresson is very interested in people and in travel; these things plus his precise feeling for geometrical relationships determine the type of pictures he takes best. What is of value is that a particular photographer sees the subject differently. A good picture must be a completely individual expression which intrigues the viewer and forces him to think.
As an artist, environment has a lot of impact on choices, and these choices can change by changing your location.
This site uses cookies to ensure you get the best experience. More info...
Got it!