A Quote by Constantine Manos

It is easy to take good pictures, difficult to take very good pictures, and almost impossible to take 
 great pictures. — © Constantine Manos
It is easy to take good pictures, difficult to take very good pictures, and almost impossible to take great pictures.
Taking good pictures is easy. Making very good pictures is difficult. Making great pictures is almost impossible
It's good that everyone has an opportunity to take pictures, the chance to be a photographer. Some are good, too. But the bad thing is that it's very, very difficult to take a great picture. Everyone can take a good picture - even a child - but it's hard to make a great one.
You have to take a lot of bad pictures. Dont' be afraid to take bad pictures... You have to take a lot of bad pictures in order to know when you've got a good one.
Don't be afraid to take bad pictures, because good pictures are the mistakes of bad pictures.
I'm pretty solitary when I take pictures. Even when I take pictures of people, I just go about my own way of doing it.
It is proper to take photographs or other kinds of pictures of persons to put them before us for sight or remembrance. But it is improper to make pictures and images of God and to take his likenesses therefrom to his great distortion.
I think fame and all that madness, people taking your pictures all the time, drives me insane. It's a catch 22...the more they take pictures of you, the more upset you get by it and the more crazy you look and the more pictures they take of you. I think it's disgusting what's happened with that kind of celebrity culture right now.
The main thing is to study pictures and stop listening to the pontifictaions of photographers. Photographers aren't oracles of wisdom. If they're good photographers, then take a good look at their pictures - what else do you need?
Remember the cliche: ... "Cameras don't take pictures, people take pictures."
I had an agent. When [Edward] Steichen was doing "The Family of Man", I went up to the office one day. I think Wayne Miller, who assisted Steichen with "The Family of Man," was up there and pulled out a bunch of pictures. So I got a message: "Take these pictures, call Steichen, make an appointment and take these pictures up there." And that's how I met him.
I’m no part time dilettante photographer, unlike the bartenders, shoe salesmen, floorwalkers plumbers, barbers, grocery clerks and chiropractors whose great hobby is their camera. All their friends rave about what wonderful pictures they take. If they’re so good, why don’t they take pictures full—time, for a living, and make floor walking, chiropractics, etc., their hobby? But everyone wants to play it safe. They’re afraid to give up their pay checks and their security they might miss a meal.
Dates are hard to remember because they consist of figures; figures are monotonously unstriking in appearance, and they don't take hold, they form no pictures, and so they give the eye no chance to help. Pictures are the thing. Pictures can make dates stick.
All the good pictures that came so easily now make the next set of pictures virtually impossible in your mind.
I'm kind of selective of the people that I take photos of. Like, I don't take pictures of just my friends, but I do like taking pictures of just some of my close mates, especially out in L.A.
I always say I make pictures rather than take pictures.
We take pictures because we can't accept that everything passes, we can't accept that the repetition of a moment is an impossibility. We wage a monotonous war against our own impending deaths, against time that turns children into that other, lesser species: adults. We take pictures because we know we will forget. We will forget the week, the day, the hour. We will forget when we were happiest. We take pictures out of pride, a desire to have the best of ourselve preserved. We fear that we will die and others will not know we lived.
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