A Quote by Constantine Manos

By choosing a precise intersection between subject and time, he may transform the ordinary into the extraordinary and the real into the surreal. — © Constantine Manos
By choosing a precise intersection between subject and time, he may transform the ordinary into the extraordinary and the real into the surreal.
The flow of people in a setting, their changing relationships to each other and their environment, and their constantly changing expressions and movements - all combine to create dynamic situations that provide the photographer with limitless choices of when to push the button. By choosing a precise intersection between subject and time, he may transform the ordinary into the extraordinary and the real into the surreal.
The only difference between an extraordinary life and an ordinary one is the extraordinary pleasures you find in ordinary things.
Sandra Kasturi's magical poems transform the ordinary into the surreal and exotic.
By choosing to live above the ordinary level we create extraordinary problems for ourselves.
You can't always do the extraordinary, in between you have to do the ordinary. Because if you didn't, what would constitute the extraordinary?
Drop the idea of being Extraordinary! It's keeping you mediocre. To be Ordinary is the most extraordinary thing in the world. The Ordinary person has light in his eyes; he has become extraordinary but he has no idea of it.
I know for myself how the fruits of the gospel of Jesus Christ can transform lives from the ordinary and dreary to the extraordinary and sublime.
I want my paintings to give the viewer a true sense of reality - that includes but is not limited to depth, scale and a tactile surface as well as the real sense of what the subject looks like and is feeling at the time that I painted them. There should be a discourse between the viewer and the subject, to feel as though they are in a way connected. My goal is not to set a narrative but rather to have the viewer bring their own experiences to the painting and the subject as they would if they had seen the subject on the street in real life.
I like to say that I'm tracing the intersection between big ideas and human experience, between theology and real life.
I think that, in addition of the intersection of media and technology, there has also been an intersection between technology and finance, which is something I find a little closer to home, seeing as I spend so much time covering Wall Street banks.
The extraordinarily facile and in literary terms long lived works tend to be about ordinary people. Even Sappho writes about the utterly insignificant . What art can do is make the extraordinary more ordinary and ordinary more extraordinary.
To become enlightened is not just to slip into some disconnected euphoria, an oceanic feeling of mystic oneness apart from ordinary reality. It is not even to come up with a solution, a sort of formula to control reality. Rather, it is an experience of release from all compulsions and sufferings, combined with a precise awareness of any relevent subject of knowledge. Having attained enlightenment one knows everything that matters, and the precise nature of all that is.
Readily people do not accept any ordinary to behave like an extraordinary unless and until some extraordinary but preferably wealthy approves him to be not ordinary.
When ordinary people decide to do extraordinary things they transform their lives and the lives of others around them.
What dance achieves, what play and sex achieve are the same thing that poetry achieves. They transform the ordinary into the extraordinary.
No longer do we accept the 'sublimation model' according to which 'the function of art is to sublimate or transform experience, raising it from ordinary to extraordinary, from commonplace to unique, from low to high'.
This site uses cookies to ensure you get the best experience. More info...
Got it!