A Quote by Coolio

I've basically got an album full of singles. — © Coolio
I've basically got an album full of singles.
I really consider myself fortunate to have been of age during the musical revolution that came in the form of the Beatles. People don't realize that previous to the Beatles, there really was no such thing as an album artist. People made singles. Then they would put a bunch of those singles together and call it an album. And that was it.
I grew up in a house full of musicians, and my mum really taught me that when you listen to an album, you respect that it's somebody's art, and that the B-sides are just as important as the singles, and we should really listen to the album all the way through the way it was intended to be listened to.
I think I've grown a lot in the last few years, and I needed to express myself as an artist on this. It wasn't necessarily about going in and making an album chocked full of hit singles... there were a lot of things I did out of the joy and the want to do it.
I grew up in the day when the Beatles sold 1 million singles in a week. And all you've got to do now is sell about 10,000 singles and you're in the charts.
I grew up in the day when the Beatles sold 1 million singles in a week. And all you’ve got to do now is sell about 10,000 singles and you’re in the charts.
Growing up, I remember I had several different 45 singles. But the first album I received was from a family friend: Emmylou Harris' 'Roses In The Snow.' It was so incredible. This record, to this day, is the favorite album of my life.
I know as a consumer I want a story. I want a defining - I don't want just an album full of singles. I want to get to know the artist beyond what everyone else can hear on the radio.
I think record cover sleeves really led towards, but at the same time the album as we know it didn't come into being until mainly after the Second World War because record labels realized they'd be able to make a lot more money putting all the singles of an artist onto one album and selling the whole album as a kind of a concept.
It's a total big difference between a person that got lyrics and a person that can make hit singles. I'm a person that can make some hit singles. I'm not in no booth trying to be a lyrical genius. I'm preparing to make me some singles, and as I develop as a man, then they'll respect my emcee skills.
I grew up in the era of the concept album. What I do now is pick up on singles, and they are their own complete stories; you don't necessarily have to hear the rest of the album because I don't think albums are created like that anymore. They get songs from all over the place.
Yeah it's completely different, it's matured tenfold. We wrote the first album over five years as teenagers but now we've got the opportunity to do InMe full-time. We've got closer together, we've got a better connection.
They've got the singles and some people have burnt them from different web sites and stuff. So it was something that we talked about for a long, long time, and I just wanted to make sure that this remix album to be really special.
You know, 'Paid in Full' is a classic album, man. It kind of got me to where I am now, so I can never get tired of 'Paid in Full.'
The success of the first album was almost an anomaly, and it could remain a fantastic anomaly. It was not crafted for commercial success. I remember meetings with my label saying it had no radio singles. For me, the second album was a gesture of independence.
After 'Sports' came out in the fall of 1983, everything changed for me. Four of the album's singles became top-10 hits, and by the end of June in 1984, the album was No. 1 on the Billboard chart. It was quite a ride, and for the first time I had enough money to live the way I wanted.
For our third album, 'Love Frequency,' we've gone back to our old style. The album is full of songs that people can sing along to. They're songs full of hooks.
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