A Quote by Corey Dillon
My thing has always been, sit down with me for an hour and base your judgments off that. That's all I ask. Don't go by what you read in the paper or hear in the streets.
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One exercise I always do when I'm getting to know a character is ask her to tell me her secrets. Sit down with a pen and paper, and start with, 'I never told anybody...' and go from there, writing in the voice of your character.
I become one of those people who walks alone in the dark at night while others sleep or watch Mary Tyler Moore reruns or pull all-nighters to finish up some paper that's due first thing tomorrow. I always carry lots of stuff with me wherever I roam, always weighted down with books, with cassettes, with pens and paper, just in case I get the urge to sit down somewhere, and oh, I don't know, read something or write my masterpiece. I want all my important possessions, my worldly goods, with me at all times. I want to hold what little sense of home I have left with me always.
I always carry lots of stuff with me wherever I roam, always weighted down with books, with cassettes, with pens and paper, just in case I get the urge to sit down somewhere, and oh, I don't know, read something or write my masterpiece.
It always starts with a script. I like to have plenty of time to read something, and I always like to read a paper copy. I hate reading it on email. I sit down with a script, and want to see how it hits me. It's an instinctive process.
My first advice would be to read, read, read, which sounds interesting coming in a digital age, but it's so much easier to listen to a poem than it is to sit down and actually read it and to hear it in your head and that is something that every poet or aspiring poet needs to be able to do, I think to hear it in their head.
If only you’d remember before ever you sit down to write that you’ve been a reader long before you were ever a writer. You simply fix that fact in your mind, then sit very still and ask yourself, as a reader, what piece of writing in all the world Buddy Glass would most want to read if he had his heart’s choice. The next step is terrible, but so simple I can hardly believe it as I write it. You just sit down shamelessly and write the thing yourself. I won’t even underline that. It’s too important to be underlined.
Let me go to hell, that's all I ask, and go on cursing them there, and them look down and hear me, that might take some of the shine off their bliss.
I wake up from dreams and go, 'Wow, put this down on paper'. The whole thing is strange. You hear the words, everything is right there in front of your face.
I go out in the streets, and I go to shows, and I see my fans turn from "I like your last rap" to "I feel your movement; you're keeping it all the way real." One thing I've always said is that's never been my story, and I'm not going to go back on my word.
My writing routine is: get son off to school and sit down at 8 A.M. I read what I wrote the day before, and then write longhand, into a notebook. I prefer paper and pen because it feels closer to my brain.
I don't want to give the impression that I'm a great Bible reader. I don't sit down every day and read for an hour through the Bible. But I really do read it with a great deal of pleasure... which is the last thing I would have suspected. So I read it sometimes as a devotional, but really more, not for fun, but because it's fascinating.
I understand what's going on, and when I see the fervor, when I see 25,000 people that have seats and not one person during an hour speech will sit down, I say sit down everybody, sit down, and they don't sit down, I mean, that's a great compliment but I do understand the power of the message. There's no question about that.
That's how it always is with me: the thing that sets me down to start writing is usually not what I end up doing. Because, as much as I love genre, and I try to deliver the goods, I go off from it. I go do my own thing.
I like Wallace Stevens, Robert Frost, but some of the older ones it's hard for me to sit down with - when I sit down to read some poetry, I usually read more contemporary stuff.
What I try very hard to do is have an hour or so in the morning when I leave the house and don't have my phone with me. I'll go sit in a cafe and read and handwrite in my notebook and not be facing a screen. My head will be clear. I will be able to hear myself think. Because honestly for the rest of the day it's just screens, screens, screens.
There have been articles saying that all women need to read my book. I ask, why not all men? In fact, that would be even more valuable because we women want to sit down with men and tell them - this is how we feel, this is what we go through.
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