A Quote by Corey Feldman

On the musical side, I always wanted to kind of carry on Pink Floyd's sound. You know, Pink Floyd always had such an original, creative and masterful sound, but there are no new albums. My thought was that there's a way to keep their sound alive.
I got into music by happenchance and luck and wearing a t-shirt with "I hate Pink Floyd" on it. The irony has never failed to amuse me ever since because I didn't hate Pink Floyd at all! And yet you have an entire range of people out there believing that the best thing you can do in life is to hate Pink Floyd. Come on, It's because it's the world I live in!
There are so many people out there who think they are fans of Pink Floyd - and certainly the work I did in Pink Floyd - who are still furious that I left.
We mixed the sounds ourselves. If they were going to put the sound back onto our film [Pink Floyd: Live at Pompeii.], we wanted to mix it ourselves.
I got my influences from 70s bands - Zeppelin, Pink Floyd, blah blah blah. When I was growing up, we had all these crazy bands on the Top 40. Today, if Pink Floyd released "Money", it wouldn't even get played.
I got my influences from '70s bands - Zeppelin, Pink Floyd, blah blah blah. When I was growing up, we had all these crazy bands on the Top 40. Today, if Pink Floyd released 'Money,' it wouldn't even get played.
I've been to two stadium gigs in my life. One was James Brown and the other was Pink Floyd. They both sounded the same. I couldn't tell the difference between James Brown and Pink Floyd. I've never liked stadiums.
When I listen to a band like Pink Floyd, I don't know the names of the individual songs, I know the full albums. That's what we want for our albums.
We've always described our sound as a bit more guitar driven than normal pop music. Kind of Pink in a boy band form. We've heard a few people say that so now we use it. I think Pink is amazing person to be compared to.
I think my deepness came from Pink Floyd. And Jimi Hendrix was my idol. I always wanted to be like him.
We're not ignored by The Guinness Book Of Records, but we've been largely ignored by the media during our lifetime. If you read any article, no mention is ever made of Pink Floyd. We're never included in the same sentences as The Beatles, The Rolling Stones and The Who. I wrote 'The Wall' as an attack on stadium rock - and there's Pink Floyd making money out of it by playing it in stadiums! Pathetic. They spoiled my creations.
I like that kind of classic-type sound. A lot of my favorite albums were tracked live, with a four-piece band. I love the way those albums sound, but I want to make records that sound like that in the way I like to make stuff.
For me it's always contingent on getting a sound-the sound always suggests what kind of melody it should be. So it's always sound first and then the line afterwards.
As teenagers, we used to listen to entire Rush albums, entire Pink Floyd albums and shut down the lights and it was great.
I was always a Pink Floyd fan, and I was always into movie soundtracks.
I'm very interested in vertical space.I want the players to listen to their sound in such a way that they hear the complete sound they make before they make another one. So that means that they hear the tail of the sound. Because of the reverberation, there's always more to the sound than just the sound.
I grew up listening to albums by Pink Floyd, Led Zeppelin and Jimi Hendrix, and they all worked on that multi-layered level.
This site uses cookies to ensure you get the best experience. More info...
Got it!