A Quote by Corey Feldman

As an actor, you're pretty much a hired gun. You are reading other people's words off of a page and doing what they want you to do. — © Corey Feldman
As an actor, you're pretty much a hired gun. You are reading other people's words off of a page and doing what they want you to do.
Some people spend their entire lives reading but never get beyond reading the words on the page, they don't understand that the words are merely stepping stones placed across a fast-flowing river, and the reason they're there is so that we can reach the farther shore, it's the other side that matters...
I think of myself as a character actor, compared to a straight actor. I know a character actor in England is pretty much the same as in the States; you're actually hired to put on terrible teeth and stuff like that.
I'm just a hired actor who was hired for a particular job, but I think one of the joys of reading the script was the way that the personal and the global are woven together.
Waiting to be hired, as an actor, especially, is soul-destroying... There is always something you can do... Create something, a play reading... Anything. But don't rely on other people to come to you. Put yourself out there.
I started reading the Bible. All of a sudden the words jumped off the page and became real.
We read five words on the first page of a really good novel and we begin to forget that we are reading printed words on a page; we begin to see images.
What I ended up doing was becoming an actor who didn't mind doing other people's words.
Reading activates and exercises the mind. Reading forces the mind to discriminate. From the beginning, readers have to recognize letters printed on the page, make them into words, the words into sentences, and the sentences into concepts. Reading pushes us to use our imagination and makes us more creatively inclined.
I mark the reading of 'Look Homeward, Angel' as one of the pivotal events of my life. It starts off with the single greatest, knock-your-socks-off first page I have ever come across in my careful reading of world literature.
The collaboration really begins once the rehearsal starts. This is when the actor takes his place, because he becomes the one who is going to bring the words of the author off the page.
I always used to watch 'The Daily Show,' and there were all these comedic geniuses there. I didn't know if I was going to be hired full time or not. At the beginning, I was sort of hired as a part time, on and off guy. When I first got hired - it was August 2006 - and I was working on and off, and they'd call me whenever.
Words had started swimming off the page, circling my head, the letters doing one-eighties as if they were riding skateboards.
If the majority is moral then why do they need to be ruled by a group of people who are power hungry and gun hungry and probably not quite so good? And evil people want two things: they want something for nothing, and to escape the consequences of their actions, which is pretty much the definition of what government is.
The art of fiction is one of constant seduction. You must persuade the reader on page 1 to start reading - on page 50, or page 150 and yes, on page 850.
If you read the first page of one of my novels, I can guarantee that you will read the last one. This isn't just social commentary. This is also about writing good page-turners. I want people to keep reading.
In real life, people fumble their words. They repeat themselves and stare blankly off into space and don't listen properly to what other people are saying. I find that kind of speech fascinating but screenwriters never write dialogue like that because it doesn't look good on the page.
This site uses cookies to ensure you get the best experience. More info...
Got it!